{"id":5807,"date":"2018-03-27T07:03:13","date_gmt":"2018-03-27T06:03:13","guid":{"rendered":"http:\/\/www.cathjack.ch\/wordpress\/?p=5807"},"modified":"2018-12-21T16:16:39","modified_gmt":"2018-12-21T15:16:39","slug":"les-prix-litteraires-2018-la-recap","status":"publish","type":"post","link":"https:\/\/www.cathjack.ch\/wordpress\/?p=5807","title":{"rendered":"Les Prix litt\u00e9raires 2018 &#8211; La recap&rsquo;"},"content":{"rendered":"<p><span style=\"color: #008000;\"><strong>Prix Nadal\u00a02018<\/strong><\/span> :\u00a0 <span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">Alejandro Palomas<\/span><\/span><span style=\"color: #008000;\"> &lsquo;Un amor&rsquo;<\/span>, (\u00faltima obra)<\/p>\n<p><span style=\"color: #008000;\"><strong>Le Prix suisse du livre 2018<\/strong> <\/span>:\u00a0L&rsquo;auteur al\u00e9manique <span style=\"color: #008000;\">Peter Stamm<\/span>\u00a0 pour son roman <span style=\"color: #008000;\">\u00ab\u00a0Die sanfte Gleichg\u00fcltigkeit der Welt\u00a0\u00bb (\u00ab\u00a0La douce indiff\u00e9rence du monde\u00a0\u00bb).<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix litt\u00e9raire RTL-Lire 2018<\/strong><\/span> : <span style=\"color: #008000;\">Isabelle Carr\u00e9 \u00ab\u00a0Les r\u00eaveurs\u00a0\u00bb<\/span> (Grasset) &#8211; 1er roman<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Montaigne de Bordeaux 2018<\/strong><\/span>\u00a0: <span style=\"color: #008000;\">Philippe Sands pour <em>Retour \u00e0 Lemberg<\/em><\/span> (Albin Michel)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Cazes-Brasserie Lipp 2018<\/strong><\/span> : <span style=\"color: #008000;\">R\u00e9gis Wargnier \u00ab\u00a0Les prix d&rsquo;excellence<\/span> (Grasset). (Premier roman)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Printemps du Roman 2018 :\u00a0<\/strong> Richard Morgi\u00e8ve, Jo\u00eblle Losfeld\/\u00a0 \u00ab\u00a0Les hommes\u00a0\u00bb<\/span>\u00a0Gallimard<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Hennessy du journalisme litt\u00e9raire 2018<\/strong> :\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">Thierry Clermont<\/span> (<\/span><em>Le Figaro Litt\u00e9raire<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">)<\/span><\/span><br \/>\n<span style=\"color: #008000;\"> les finalistes:<\/span>\u00a0 \u2013\u00a0Florence Bouchy (<em>Le Monde des Livres<\/em>), Thierry Clermont (<em>Le Figaro Litt\u00e9raire<\/em>), Cl\u00e9mentine Goldszal (<em>Elle, M. le magazine, Vanity Fair<\/em>), Marine Landrot (<em>T\u00e9l\u00e9rama<\/em>) \u2028et Val\u00e9rie Marin La Mesl\u00e9e (<em>Le Point<\/em>).<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Ana\u00efs Nin 2018<\/strong><\/span>:\u00a0<em><span style=\"color: #008000;\">Catherine Cusset \u00ab\u00a0Vie de David Hockney\u00a0\u00bb<\/span><\/em> (Gallimard)<\/p>\n<p><strong><span style=\"color: #008000;\">Prix du Roman des \u00e9tudiants France Culture \u2013 T\u00e9l\u00e9rama 2018<\/span> : <\/strong><span style=\"color: #008000;\"> L\u00e9onor de R\u00e9condo \u00ab\u00a0Point Cardinal\u00a0\u00bb<\/span> ( 5\u00e8me roman) (\u00c9d. Sabine Wespieser)<\/p>\n<p><strong><span style=\"color: #008000;\">Prix des Deux Magots 2018<\/span> : <\/strong><span lang=\"FR\" style=\"margin: 0px; color: #000000; line-height: 107%; font-family: 'Georgia',serif; font-size: 12pt;\"><em><span style=\"color: #008000;\">Julie Wolkenstein\u00a0\u00ab\u00a0Les vacances\u00bb<\/span> <\/em>P.O.L<\/span><\/p>\n<p><span style=\"color: #008000;\"><i><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"><strong>Prix du livre politique 2018<\/strong> : <\/span>Fille de r\u00e9volutionnaires<\/i><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"> de Laurence Debray<\/span> (Stock)<\/span><\/p>\n<p><strong><span style=\"color: #008000;\">Prix des d\u00e9put\u00e9s\u00a02018<\/span><\/strong> : <span style=\"color: #008000;\"><i>Fille de r\u00e9volutionnaires<\/i> de Laurence Debray<\/span> (Stock)<\/p>\n<p><strong><span style=\"color: #008000;\">Prix\u00a0 Escales du livre 2018<\/span> : <span style=\"text-align: left; color: #008000; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">L\u2019art de perdre, Alice Zeniter (Flammarion)<\/span>\u00a0<\/strong><br \/>\n<b><span style=\"color: #008000;\">Prix\u00a0 Escales des lyc\u00e9ens du livre 2018 :\u00a0<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">Sucre\u00a0 noir, Miguel Bonnefoy<\/span> (Rivages)<\/span><\/b><br \/>\nl<span style=\"color: #008000;\">es finalistes<\/span><strong>:\u00a0<\/strong>L\u2019art de perdre, Alice Zeniter (Flammarion) &#8211;\u00a0Le camp des autres, Thomas Vinau (Alma) &#8211; Pourquoi les oiseaux meurent, Victor Pouchet (Finitude) &#8211; La nuit des b\u00e9guines, Aline Kiner (Liana Levi) &#8211;\u00a0Sucre noir, Miguel Bonnefoy (Rivages)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Marguerite Puhl-Demange 2018<\/strong><\/span>:\u00a0<span style=\"text-align: left; color: #008000; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Sans',Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Patricia REZNIKOV pour\u00a0<\/span><em><span style=\"color: #008000;\">Le songe du photographe<\/span> (<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; font-family: 'Droid Sans',Arial,Helvetica,sans-serif; font-size: 14px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Albin Michel)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix\u00a0Roman France-T\u00e9l\u00e9vision\u00a02018<\/strong><\/span> : <span style=\"color: #008000;\">Michel Bernard, \u00abLe bon c\u0153ur\u00a0\u00bb<\/span> La Table ronde<br \/>\n<span style=\"color: #008000;\"><strong>Prix\u00a0Essais France-T\u00e9l\u00e9vision\u00a02018<\/strong><\/span> : <span style=\"color: #008000;\">Ivan Jablonka, \u00ab\u00a0En camping-car\u00a0\u00bb<\/span> Le Seuil<\/p>\n<p><span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"><strong>Prix de la page 111 <\/strong>: Sophie Divry pour <\/span><em>Trois fois la fin du monde<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">. (Noir sur blanc)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de la page 112\u00a0<\/strong>: <span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">La derni\u00e8re France, de Jacques Jouet<\/span> (P.O.L) <\/span>\u00a0<\/span><br \/>\n<span style=\"color: #008000;\">les finalistes<\/span>:\u00a01144 livres, de Jean Berthier (Robert Laffont) &#8211; La derni\u00e8re France, de Jacques Jouet (P.O.L) &#8211; Une longue impatience, de Ga\u00eblle Josse (Notabilia \/ Noir sur Blanc) &#8211; Chambre simple, de J\u00e9r\u00f4me Lambert (L\u2019Iconoclaste) &#8211; Trouville Casino, de Christine Montalbeti (P.O.L) &#8211; L\u2019interruption, de Dominique Noguez (Flammarion) &#8211; Que la guerre est jolie, de Christian Roux (Rivages)<br \/>\nDans nos langues, de Dominique Sigaud (Verdier) &#8211; Une rose et un balai, de Michel Simonet (Editions de la revue Conf\u00e9rence)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix\u00a0de la Biblioth\u00e8que nationale de France 2018<\/strong> :\u00a0Emmanuel Carr\u00e8re<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix R\u00e9gine Desforges 2018 :\u00a0<\/strong><strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"> Mahir Guven \u00ab\u00a0<i>Grand fr\u00e8re<\/i>\u00ab\u00a0<\/span> (Philippe Rey)<\/span><\/strong><\/span><br \/>\n<span style=\"color: #008000;\"> <em>les s\u00e9lectionn\u00e9s<\/em><\/span><strong>: <\/strong><em>Le courage qu\u2019il faut aux rivi\u00e8res<\/em>, d\u2019Emmanuelle Favier (Albin Michel) &#8211; <em>Petites Reines<\/em>, de Jimmy Levy (Cherche midi) &#8211; <em>La fin de Mame Baby<\/em>, de Ga\u00ebl Octavia (Gallimard) &#8211; <em>Et soudain, la libert\u00e9<\/em>, de Evelyne Pisier et Caroline Laurent (Les Escales) &#8211; <em>Neverland<\/em>, de Timoth\u00e9e de Fombelle (L\u2019Iconoclaste) &#8211; <em>Ostwald<\/em>, de Thomas Flahaut (L\u2019Olivier) &#8211; <em>Grand Fr\u00e8re<\/em>, de Mahir Guven (Philippe Rey) &#8211; <em>La fille du van<\/em>, de Ludovic Ninet (Serge Safran).<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Premi\u00e8re 2018<\/strong><\/span> (<span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Foire du livre de Bruxelles) : <span style=\"color: #008000;\">Mahir Guven \u00ab\u00a0<\/span><\/span><span style=\"color: #008000;\"><em>Grand fr\u00e8re\u00a0\u00bb <\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Philippe Rey, octobre 2017)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Psychologies\u00a0Magazine &#8211; \u00a0le prix du roman inspirant 2018 : <\/strong><\/span><br \/>\n<em><span style=\"color: #008000;\">\u2013 les s\u00e9lectionn\u00e9s<\/span>: \u00ab\u00a0Mon p\u00e8re sur mes \u00e9paules\u00a0\u00bb Metin Arditi &#8211;\u00a0 \u00ab\u00a0Rencontre \u00e0 P\u00e9kin\u00a0\u00bb et \u00ab\u00a0Une autre Aur\u00e9lia\u00a0\u00bb, Jean-Fran\u00e7ois Billeter &#8211;<br \/>\n\u00ab\u00a0Neverland\u00a0\u00bb, Timoth\u00e9e de Fombelle\u00a0 &#8211;\u00a0 \u00ab\u00a0Bakhita\u00a0\u00bb, V\u00e9ronique Olmi &#8211; \u00ab\u00a0Mort d&rsquo;un cheval dans les bras de sa m\u00e8re\u00a0\u00bb Jane Sauti\u00e8re<\/em><\/p>\n<p><strong><span style=\"color: #008000;\">Prix\u00a0du Public\u00a0Salon du Livre Gen\u00e8ve\u00a02018<\/span><\/strong> :\u00a0Ce prix r\u00e9compense un auteur de romans ou de nouvelles, qui est Suisse ou \u00e9tranger vivant en Suisse. \u00ab\u00a0Notre-Dame des \u00e9gar\u00e9es\u00a0\u00bb d&rsquo;Alexandre Voisard (\u00e9crivain jurassien)<\/p>\n<p><span style=\"color: #008000;\"><b>Prix Salon du Livre Gen\u00e8ve\u00a02018 :\u00a0<\/b>Ga\u00eblle Josse pour \u00ab\u00a0Une longue impatience\u00a0\u00bb <span style=\"color: #000000;\">(Editions Noir sur Blanc)\u00a0<\/span><\/span><br \/>\n<em>\u2013<\/em><span style=\"color: #008000;\"> <em>les 3 finalistes<\/em><\/span> : <em>La beaut\u00e9 des jours<\/em>\u00a0de Claudie\u00a0Gallay\u00a0(Actes Sud) &#8211; <em>Manikanetish<\/em>\u00a0de Naomi Fontaine (M\u00e9moire d\u2019encrier) &#8211; <em>Une longue impatience<\/em>\u00a0de\u00a0Ga\u00eblle\u00a0Josse\u00a0(Noir sur Blanc)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du livre Inter \u00e9tranger 2018<\/strong><\/span>:\u00a0 <span style=\"color: #008000;\">Paul Auster, \u00ab\u00a04321\u00a0\u00bb (Actes Sud)\u00a0<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du Livre France bleu-Page des libraires 2018\u00a0<\/strong>:\u00a0<span style=\"color: #339966;\"><i>Un oc\u00e9an, deux mers, trois continents<\/i><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #339966;\">, de Wilfried N&rsquo;Sond\u00e9<\/span> (Editions Actes Sud)<\/span><\/span><br \/>\n<em><span style=\"color: #008000;\"> les s\u00e9lectionn\u00e9s<\/span><\/em>: <em><strong>Le Th\u00e9\u00e2tre de Sl\u00e1vek<\/strong><\/em>, de Anne Delaflotte Mehdevi (Editions Ga\u00efa) &#8211; <em><strong>Un oc\u00e9an, deux mers, trois continents<\/strong><\/em>, de Wilfried N&rsquo;Sond\u00e9 (Editions Actes Sud) &#8211; <em><strong>La Chambre des merveilles<\/strong><\/em>, de Julien Sandrel (Editions Calmann-L\u00e9vy) &#8211; <em><strong>Fugitive parce que reine<\/strong><\/em>, de Violaine Huisman (Editions Gallimard) &#8211; <em><strong>Kisanga<\/strong><\/em>, de Emmanuel Grand (Editions Liana Levi)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Jean d&rsquo;Ormesson 2018 :\u00a0<\/strong><\/span><em>M\u00e9t\u00e9ore des lettres ha\u00eftiennes, l&rsquo;\u00e9crivain et intellectuel engag\u00e9 <span style=\"color: #339966;\">Jacques Stephen Alexis<\/span>, probablement assassin\u00e9 en avril\u00a01961\u00a0\u00e0\u00a039\u00a0ans, est devenu mercredi le premier laur\u00e9at du prix Jean d&rsquo;Ormesson pour son chef d&rsquo;\u0153uvre <span style=\"color: #339966;\">\u00ab\u00a0L&rsquo;espace d&rsquo;un cillement\u00a0\u00bb<\/span> <\/em><em>(Gallimard\/L&rsquo;imaginaire)\u00a0<\/em><br \/>\n<span style=\"color: #008000;\"> 1<sup>\u00e8re<\/sup> s\u00e9lection<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">:\u00a0<\/span> \u2013 Tchinguiz Aitmatov,\u00a0<\/span><em>Djamilia (<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Deno\u00ebl, Folio) &#8211; Jacques Stephen Alexis,\u00a0<\/span><em>L\u2019Espace d\u2019un cillement <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Gallimard L\u2019imaginaire) &#8211; Jean-Paul Delfino,\u00a0<\/span><em>Les P\u00eacheurs d&rsquo;\u00e9toiles<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Le Passage) &#8211; Gerald Durell,\u00a0<\/span><em>Ma famille et autres animaux <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(La Table ronde) &#8211; Yasushi\u00a0Inoue,\u00a0<\/span><em>Le Fusil de chasse<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Stock, Le Livre de Poche) &#8211; Patrick Leigh Fermor,\u00a0<\/span><em>Un temps pour se taire <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Nevicata) &#8211; Claudio Magris,\u00a0<\/span><em>Danube <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Gallimard, Folio) &#8211; Robert Margerit,\u00a0<\/span><em>Mont-Dragon <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(La Table Ronde) &#8211; Eric Newby, <\/span><em>Un petit tour dans l&rsquo;Hindu Kouch<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Payot, Petite biblioth\u00e8que Payot) &#8211; Odile d\u2019Oultremont,\u00a0<\/span><em>Les D\u00e9raisons<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (L\u2019Observatoire)\u00a0&#8211; William Styron,\u00a0<\/span><em>La Proie des flammes <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Gallimard, Folio)\u00a0&#8211; Gladys Huntington,<\/span><em>\u00a0Madame Solario <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Les Belles Lettres)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Alexandre-Vialatte 2018<\/strong>: <span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Jean Rolin \u00ab\u00a0<\/span>Le traquet kurde\u00a0\u00bb<\/span> (<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> P.O.L<\/span>)<\/p>\n<p><strong><span style=\"color: #008000;\">Prix Jules Renard 2018<\/span><\/strong> : <span style=\"color: #008000;\">Jean-Louis Fournier \u00ab\u00a0Mon autopsie\u00a0\u00bb<\/span> (Stock)<\/p>\n<div>\n<p><span style=\"color: #008000;\"><strong>Prix Cam\u00e9l\u00e9on 2018<\/strong><\/span> (prix \u00e9tudiant du roman \u00e9tranger traduit en fran\u00e7ais)\u00a0 <span style=\"color: #008000;\">\u00ab\u00a0Les romans meurtriers\u00a0\u00bb de Kim Tak-hwan<\/span>, traduit du cor\u00e9en par Yeong-hee Lim et Fran\u00e7oise Nagel<\/p>\n<\/div>\n<p><strong><span style=\"color: #008000;\">Prix VSD RTL du meilleur thriller \u00e9tranger<\/span>\u00a0: <\/strong><span style=\"color: #008000;\">Amy Lloyd \u00ab\u00a0Innocente\u00a0\u00bb<\/span> (Hugo Roman)<\/p>\n<p><span style=\"color: #008000;\"><strong>13\u00e8me Prix des Lecteurs Quais du Polar\/20 minutes<\/strong> <\/span>: <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=5452\"><span style=\"color: #008000;\">Gilda Piersanti \u00ab\u00a0Illusion tragique\u00a0\u00bb<\/span><\/a> (Le passage) &#8211;\u00a0<em><span style=\"color: #008000;\">les finalistes<\/span><\/em>: <strong><em>H\u00f4tel du Grand Cerf<\/em><\/strong> de Franz Bartelt (\u00e9d. Seuil) &#8211; B<strong><em>ombes<\/em><\/strong> de Dominique Delahaye (\u00e9d. La Manufacture de Livres) &#8211; <strong><em>Dossier Kastor<\/em><\/strong> de Catherine Fradier (\u00e9d. Au Diable Vauvert) &#8211; <strong><em>La Chance du perdant <\/em><\/strong>de Christophe Guillaumot (\u00e9d. Liana Levi) &#8211; <strong><em>Illusion tragique <\/em><\/strong>de Gilda Piersanti (\u00e9d. Le Passage) &#8211; <strong><em>L\u2019\u00c9toile jaune de l\u2019inspecteur Sadorski<\/em><\/strong> de Romain Slocombe (\u00e9d. Robert Laffont)<\/p>\n<div class=\"img\">\n<div class=\"entity-type-asset entity-type-asset-image view-mode-book_list_small\"><strong><span style=\"color: #008000;\">Prix Le Point du Polar europ\u00e9en 2018:<\/span> \u00a0<\/strong> <span style=\"color: #008000;\">Malin Persson Giolito, \u00ab\u00a0Rien de plus grand\u00a0\u00bb<\/span> (Presses de la Cit\u00e9)<\/div>\n<\/div>\n<p><span style=\"color: #008000;\"><strong>Prix Polar en s\u00e9ries 2018<\/strong> :<i>L\u2019avocat<\/i><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">, Laurent Galandon, Frank Giroud, Fr\u00e9d\u00e9ric Volante,<\/span> (Le Lombard, 2015-2017)<\/span> &#8211; <span style=\"color: #008000;\">les finalistes<\/span>: <em>Le suivant sur la liste<\/em>, Manon Fargetton (Rageot, 2017) &#8211; <em>Une enqu\u00eate de Mc Cash, volume 3: Plus jamais seul<\/em>, Caryl Ferey, (Gallimard, 2018) &#8211; <em>L\u2019avocat<\/em>, Laurent Galandon, Frank Giroud, Fr\u00e9d\u00e9ric Volante, (Le Lombard, 2015-2017) &#8211; <em>La chance du perdant<\/em>, Christophe Guillaumot, (Liana-L\u00e9vi, 2017) &#8211; <em>Que la guerre est jolie!,<\/em> Christian Roux (Payot et Rivages, 2018) &#8211; <em>Justice soit-elle<\/em>, Marie Vindy (Plon, 2017)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du Quai des Orf\u00e8vres 2018<\/strong> :\u00a0\u00ab\u2009Tension extr\u00eame\u2009\u00bb de Sylvain Forge<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Landerneau Polar 2018\u00a0:\u00a0<\/strong> Emmanuel Grand\u00a0<b>\u00ab\u00a0<\/b><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Kisanga\u00a0\u00bb<\/span><\/span> (Liana Levi)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix VSD\/RTL du meilleur thriller fran\u00e7ais 2018<\/strong><\/span>\u00a0 : <span style=\"color: #008000;\">Sandrine Destombes \u00ab\u00a0les jumeaux de Piolenc\u00a0\u00bb<\/span> (Hugo Thriller)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Landerneau des lecteurs 2018<\/strong><\/span>\u00a0:\u00a0<span class=\"text_exposed_show\" style=\"color: #008000;\"> Serge Joncour, Chien-Loup (Flammarion)<\/span><br \/>\nLe Prix Landerneau des lecteurs a d\u00e9voil\u00e9 sa premi\u00e8re s\u00e9lection en vue de d\u00e9signer le laur\u00e9at de cette ann\u00e9e. Les 4 ouvrages finalistes seront connus le 5 septembre et l&rsquo;auteur r\u00e9compens\u00e9 sera r\u00e9v\u00e9l\u00e9 le 5 octobre.\u00a0<span class=\"text_exposed_show\"><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #339966;\">10 finalistes:<\/span>\u00a0<\/span> Emmanuelle Bayamack-Tam, Arcadie (P.O.L.)\u00a0 &#8211; Nina Bouraoui, Tous les hommes d\u00e9sirent naturellement savoir (JC Latt\u00e8s) &#8211; Agn\u00e8s Desarthe, La chance de leur vie (L\u2019Olivier) &#8211; Sophie Divry, Trois fois la fin du monde (Notabilia) &#8211; Carole Fives, Tenir jusqu\u2019\u00e0 l\u2019aube (L\u2019Arbal\u00e8te Gallimard) Anne-Marie Garat, Le Grand Nord-Ouest (Actes Sud) &#8211; Serge Joncour, Chien-Loup (Flammarion) &#8211; <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=6953\">Yasmina Khadra, Khalil<\/a> (Julliard) &#8211; <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=6890\">Pascal Manoukian, Le paradoxe d\u2019Anderson<\/a> (Le Seuil) &#8211; Fran\u00e7ois Roux, Fracking (Albin Michel) <span style=\"color: #339966;\">Derni\u00e8re s\u00e9lection<\/span> :\u00a0&#8211; Sophie Divry, Trois fois la fin du monde (Notabilia) &#8211; Carole Fives, Tenir jusqu\u2019\u00e0 l\u2019aube (L\u2019Arbal\u00e8te Gallimard) &#8211; Serge Joncour, Chien-Loup (Flammarion) &#8211;\u00a0 <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=6890\">Pascal Manoukian, Le paradoxe d\u2019Anderson<\/a> (Le Seuil)\u00a0 <em>L&rsquo;an dernier, Alice Zeniter avec L&rsquo;art de perdre (Flammarion) avait remport\u00e9 le prix.<\/em><\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Prix Jean Freusti\u00e9 2018<\/strong> : Dominique Barb\u00e9ris \u00ab\u00a0L&rsquo;ann\u00e9e de l&rsquo;\u00e9ducation sentimentale\u00a0\u00bb<\/span> (Gallimard)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Henri-Queffelec 2018<\/strong>:\u00a0David Fauquemberg\u00a0 \u00ab Bluff \u00bb<\/span> (Stock) &#8211; les finalistes:\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Jo\u00ebl Baqu\u00e9<\/span> \u00ab\u00a0<em>La Fonte des glaces \u00a0\u00bb (<\/em>\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">\u00e9ditions POL<\/span>) &#8211;\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Marc Biancarelli <\/span>\u00ab\u00a0<em>Massacre des innocents<\/em>\u00a0\u00bb (\u00e9ditions Actes sud) &#8211;\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Christine Desrousseaux<\/span> \u00ab\u00a0<em>Mer agit\u00e9e<\/em>\u00a0\u00bb (\u00e9ditions Kero) &#8211; <span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">David Fauquemberg<\/span> \u00ab\u00a0<em>Bluff\u00a0\u00bb (\u00a0<\/em>\u00e9ditions Stock) &#8211;\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Wilfried N&rsquo;Sond\u00e9<\/span> \u00ab\u00a0<em>Un oc\u00e9an, deux mers, trois continents<\/em>\u00a0\u00bb (\u00e9ditions Actes sud) &#8211;\u00a0Sophie Tessier \u00ab\u00a0<em>Varech<\/em>\u00a0\u00bb (\u00e9ditions Diabase)<\/p>\n<p><span style=\"color: #008000;\"><strong>P<\/strong><strong>rix Goncourt du 1er Roman 2018<\/strong>\u00a0 :\u00a0<i>Grand fr\u00e8re<\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">\u00a0de <span style=\"color: #339966;\">Mahir Guven<\/span>\u00a0(Philippe Rey)<\/span><\/span><br \/>\n<span style=\"color: #008000;\"> \u2013 les finalistes<\/span> : <em>Grand fr\u00e8re<\/em>\u00a0de Mahir Guven\u00a0(Philippe Rey) &#8211; <em>Ariane<\/em>\u00a0de Myriam Leroy\u00a0(Don Quichotte) &#8211; <em>Si<\/em>\u00a0de Lise Marzouk\u00a0(Gallimard) &#8211; <em>G\u00e9ographie d&rsquo;un adult\u00e8re\u00a0<\/em>d&rsquo;Agn\u00e8s Riva\u00a0(L&rsquo;Arbal\u00e8te\/Gallimard).<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de la Closerie des Lilas 2018<\/strong><\/span> :\u00a0<span style=\"color: #008000;\"><i>Les d\u00e9raisons <\/i>d&rsquo;Odile d&rsquo;Oultremont (L&rsquo;Observatoire)<\/span><br \/>\n<span style=\"color: #008000;\">\u2013\u00a0<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> : <\/span><em>La nuit passera quand m\u00eame<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> d&rsquo;Emilie Houssa (Deno\u00ebl) &#8211; <\/span><em>Une longue impatience <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">de Ga\u00eblle Josse (Noir sur blanc) &#8211; <\/span><em>Les r\u00eaveurs<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> d&rsquo;Isabelle Carr\u00e9 (Grasset) &#8211; <\/span><em>Les d\u00e9raisons <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">d&rsquo;Odile d&rsquo;Oultremont (L&rsquo;Observatoire) &#8211; <\/span><em>Souviens-toi de ton avenir <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">d&rsquo;Anne Dufourmantelle (Albin Michel) &#8211; <\/span><em>Dankala<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> d&rsquo;Isabelle Sivan (Serge Safran) &#8211; <\/span><em>L&rsquo;ann\u00e9e de l&rsquo;\u00e9ducation sentimentale<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Dominique Barb\u00e9ris (Gallimard) &#8211; <\/span><em>Les passagers du si\u00e8cle<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Viktor Lazlo (Grasset)<\/span> <span style=\"color: #008000;\"><em>les finalistes:<\/em><\/span> Odile d&rsquo;Oultremont, <em>Les D\u00e9raisons<\/em> (L&rsquo;Observatoire) &#8211; premier roman &#8211; Anne Dufourmantelle, <em>Souviens-toi de ton avenir<\/em> (Albin Michel) &#8211; Ga\u00eblle Josse, <em>Une longue impatience<\/em> (Noir sur blanc\/Notabilia) &#8211; s\u00e9lectionn\u00e9 pour prix Orange du livre &#8211; Isabelle Sivan, <em>Dankala<\/em> (Serge Safran) &#8211; premier roman<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de la ville de Deauville 2018\u00a0<\/strong>:\u00a0<strong>Pascal Quignard, <em>Dans ce jardin qu\u2019on aimait<\/em>, Grasset &#8211;\u00a0<\/strong><\/span><br \/>\n<span style=\"color: #008000;\"> les finalistes<\/span> :\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">C\u00e9cile Balavoine, <\/span><em>Maestro<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, Mercure de France &#8211; <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">St\u00e9phanie Kalfon, <\/span><em>Les parapluies d\u2019Erik Satie<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, Jo\u00eblle Losfeld Editions &#8211; <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Akira Mizubayashi, <\/span><em>Un amour de mille-ans<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, Gallimard &#8211; <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Pascal Quignard, <\/span><em>Dans ce jardin qu\u2019on aimait<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, Grasset &#8211; <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Eric Reinhardt, <\/span><em>La chambre des \u00e9poux<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, Gallimard &#8211; <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Alexandre Tharaud, <\/span><em>Montrez-moi vos mains<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'CenturyGothic'; font-size: 16px; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: normal; orphans: 2; text-align: justify; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, Grasset<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Pulitzer de litt\u00e9rature 2018<\/strong><\/span> : \u00a0<span style=\"color: #008000;\"><em>Andrew Sean Greer<\/em><\/span>, laur\u00e9at du Pulitzer de la fiction <em>2018<\/em><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix\u00a0R\u00e9camier 2018<\/strong>\u00a0: <\/span><em><span style=\"color: #008000;\">La v\u00e9rit\u00e9 sur la comtesse Berdaiev de<\/span> Jean-Marie Rouart<\/em>, Gallimard<\/p>\n<p><span style=\"color: #008000;\">\u2013\u00a01\u00e8re s\u00e9lection :<\/span> <em>Faire mouche<\/em> de Vincent Almendros (Minuit) &#8211; <em>Les spectateurs<\/em> de Nathalie Azoulai (P.O.L.) &#8211; <em>La folie des autres <\/em>de Jorge Bonells (Robert Laffont) &#8211; <em>Sexe <\/em>de Christophe Donner (Grasset) &#8211; <em>L&rsquo;oubli <\/em>de Philippe Forest (Gallimard) &#8211; <em>Falaise des fous <\/em>de Patrick Grainville (Seuil) &#8211; <em>Microfictions 2018 <\/em>de R\u00e9gis Jauffret (Gallimard) &#8211; <em>Apprendre \u00e0 lire<\/em> de S\u00e9bastien Ministru (Grasset) &#8211; <em>L&rsquo;affaire Mayerling<\/em> de Bernard Quiriny (Rivages) &#8211; <em>Le traquet kurde<\/em> de Jean Rolin (P.O.L.) &#8211; <em>Les guerres de mon p\u00e8re<\/em> de Colombe Schneck (Stock) &#8211; <em>L&rsquo;express de B\u00e9nar\u00e8s<\/em> de Fr\u00e9d\u00e9ric Vitoux (Fayard)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Joseph-Kessel 2018<\/strong>\u00a0<\/span>:\u00a0<span style=\"color: #008000;\"><i>Ils vont tuer Robert Kennedy<\/i><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"> de Marc Dugain<\/span> (\u00c9ditions Gallimard)<\/span><br \/>\n\u2013 les finalistes : <i>Des ch\u00e2teaux qui br\u00fblent<\/i> de Arno Bertina (\u00c9ditions Verticales) &#8211; <i>Dans l\u2019\u00e9paisseur de la chair<\/i> de Jean-Marie Blas de Robl\u00e8s (\u00c9ditions Zulma) &#8211; <i>Une fille dans la jungle<\/i> de Delphine Coulin (\u00c9ditions Grasset) &#8211; <i>Taba-Taba<\/i> de Patrick Deville (\u00c9ditions du Seuil) &#8211; <i>Ils vont tuer Robert Kennedy<\/i> de Marc Dugain (\u00c9ditions Gallimard) &#8211;<i>Un loup pour l\u2019homme<\/i> de Brigitte Giraud (\u00c9ditions Flammarion) &#8211; <a href=\"http:\/\/www.cathjack.ch\/wordpress\/?p=5778\"><i>La Rose de Saragosse<\/i> de Rapha\u00ebl J\u00e9rusalmy <\/a>(\u00c9ditions Actes Sud) &#8211; <i>Un oc\u00e9an, deux mers, trois continents<\/i> de Wilfried N\u2019Sond\u00e9 (\u00c9ditions Actes Sud) &#8211; <i>L\u2019Art de perdre<\/i> de Alice Zeniter (\u00c9ditions Flammarion)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Gens de Mer 2018<\/strong> :\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"><em>David Fauquemberg\u00a0: Bluff,<\/em><\/span> Stock<\/span><\/span><br \/>\n<span style=\"color: #008000;\"> 1\u00e8re s\u00e9lection<\/span>\u00a0:\u00a0Jim Lynch\u00a0: Face au Vent, Gallmeiser &#8211;\u00a0David Fauquemberg\u00a0: Bluff, Stock &#8211;\u00a0Fabien Clauw\u00a0: Pour les trois couleurs, Paulsen &#8211;\u00a0Pierre Furlan :\u00a0Le Livre des \u00eeles noires, Au Vent des \u00eeles &#8211;\u00a0Clarence Boulay\u00a0: Tristan, Sabine Wespiesser &#8211;\u00a0Marc Biancarelli\u00a0: Massacre des innocents, Actes Sud &#8211;\u00a0Peter Nichols\u00a0: Golden Globe, Gl\u00e9nat &#8211;\u00a0David Fohr\u00a0: Retour \u00e0 Buenos Aires, Slatkine &#8211;\u00a0Michel Moutot\u00a0: S\u00e9quoias, Seuil &#8211;\u00a0Luc Corlou\u00ebr\u00a0: De Port-Louis \u00e0 Port-Louis, Ramsay &#8211;\u00a0Ronan Gou\u00e9zec\u00a0: Rade Am\u00e8re, Le Rouergue &#8211;\u00a0Francis Tabouret\u00a0: Travers\u00e9e, POL\u00a0 <span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">\u00a0:<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Ouest-France Etonnants Voyageurs 2018<\/strong> :\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><em><span style=\"color: #008000;\">Ananda Devi, Manger l\u2019autre<\/span> <\/em>(Grasset) <\/span><\/span><br \/>\n<span style=\"color: #008000;\"> 1\u00e8re s\u00e9lection<\/span>\u00a0 :\u00a0Justine Bo, Si nous ne br\u00fblons pas (Equateurs) &#8211; Ananda Devi, Manger l\u2019autre (Grasset) &#8211; Christian Guay-Poliquin, Le Poids de la neige (L\u2019Observatoire) &#8211; Hubert Haddad, Casting sauvage (Zulma) &#8211; Lenka Hornakova-Civade, Une verri\u00e8re sous le ciel (Alma \u00e9diteur) &#8211; Ga\u00eblle Josse, Une longue impatience (Noir sur Blanc) &#8211; Philippe KRHAJAC, Une vie minuscule (Flammarion) &#8211; Yanick Lahens, Douces d\u00e9routes (Sabine Wespieser) &#8211; Lucie Land, La d\u00e9brouillardise (Grasset) &#8211; C\u00e9line Lapertot, Ne pr\u00e9f\u00e8re pas le sang \u00e0 l\u2019eau (Viviane Hamy) &#8211; H\u00e9l\u00e8ne Ling, Ombre chinoise (Rivages) &#8211; Kettly Mars, L\u2019ange du Patriarche (Mercure de France) &#8211; Wilfried Nsond\u00e9, Un oc\u00e9an, deux mers, trois continents (Actes Sud) &#8211; Benjamin Pitchal, La classe verte (Gallimard) -\u00c9ric Plamendon, Taqawan (Quidam) &#8211; Marie Redonnet, Trio pour un monde \u00e9gar\u00e9 (Le Tripode) &#8211; Joachim Schnerf, Cette nuit (Zulma) &#8211; Omar Youssef Souleiman, Le petit terroriste (Flammarion) &#8211; &#8211; Irina Teodorescu, Celui qui comptait \u00eatre heureux longtemps (Ga\u00efa) &#8211; &#8211; \u00c9ric Valmir, P\u00eacheurs d\u2019hommes (Robert Laffont) <span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span>: <i>Manger l\u2019autre<\/i> de Ananda DEVI (Grasset) &#8211; <i>Rosa Panth\u00e8re<\/i> de Emmanuelle GUATTARI (Mercure de France) &#8211; <i>Le Poids de la neige<\/i> de Christian GUAY-POULIQUIN (L\u2019Observatoire) &#8211; <i>Casting sauvage<\/i> de Hubert HADDAD (Zulma) &#8211; <i>Une longue impatience<\/i> de Ga\u00eblle JOSSE (Noir sur Blanc) &#8211; <i>Ne pr\u00e9f\u00e8re pas le sang \u00e0 l\u2019eau<\/i> de C\u00e9line LAPERTOT (Viviane Hamy) &#8211; <i>Un oc\u00e9an, deux mers, trois continents<\/i> de Wilfried N\u2019Sond\u00e9 (Actes Sud) &#8211; <i>La classe verte<\/i> de Benjamin PITCHAL (Gallimard) &#8211; <i>Le petit terroriste<\/i> de Omar Youssef SOULEIMANE (Flammarion) &#8211; <i>Celui qui comptait \u00eatre heureux longtemps<\/i> de Irina TEODORESCU (Ga\u00efa Editions)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix litt\u00e9raire du Go\u00e9land masqu\u00e9 2018<\/strong><\/span> (un premier roman dans le genre noir\u00a0ou policier paru l\u2019ann\u00e9e pr\u00e9c\u00e9dente) <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=3827\"><span style=\"color: #008000;\">Beno\u00eet Philippon <\/span><span style=\"color: #008000;\">\u00ab\u00a0<\/span><span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Caboss\u00e9<\/span>\u00a0\u00bb <\/span><\/a><em>Gallimard<\/em><\/p>\n<p><span style=\"color: #008000;\"><strong>Grand Prix de l\u2019Imaginaire 2018<\/strong>: <strong>Francophone<\/strong>: <i>Toxoplasma<\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de <span style=\"color: #008000;\">Sabrina Calvo<\/span> (La Volte)\u00a0<\/span> &#8211; <strong>Etranger:<\/strong>\u00a0 <i>L\u2019Arche de Darwin<\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de <span style=\"color: #008000;\">James Morrow<\/span> (Au diable vauvert)<\/span><\/span><\/p>\n<p><span style=\"color: #008000;\">Roman francophone\u00a02\u00e8me s\u00e9lection<\/span><strong> : <\/strong><i>La D\u00e9solation<\/i> de Pierre Bordage (Bragelonne) &#8211; <i>Toxoplasma<\/i> de Sabrina Calvo (La Volte) &#8211; <i>Le Temps de Palanquine<\/i> de Thierry Di Rollo (Le B\u00e9lial\u2019) &#8211; <i>La Soci\u00e9t\u00e9 des faux visages<\/i> de Xavier Maum\u00e9jean (Alma)<\/p>\n<p><span style=\"color: #008000;\">Roman \u00e9tranger\u00a02\u00e8me s\u00e9lection <\/span><strong>: <\/strong><i>La Biblioth\u00e8que de Mount Char<\/i> de Scott Hawkins (Deno\u00ebl, Lunes d\u2019encre) &#8211; <i>Bagdad, la grande \u00e9vasion\u00a0!<\/i> de Saad Z. Hossain (Agullo) &#8211; <i>L\u2019Arche de Darwin<\/i> de James Morrow (Au diable vauvert) &#8211; <i>2312<\/i> de Kim Stanley Robinson (Actes Sud, Exofictions)<\/p>\n<p><strong><span style=\"color: #008000;\">Prix\u00a0Maison de la Presse\u00a02018\u00a0 (49\u00e8me)<\/span>:\u00a0<\/strong><span style=\"color: #008000;\"><i>Changer l\u2019eau des fleurs<\/i><strong><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> de Val\u00e9rie Perrin (Albin Michel)<\/span><\/strong><\/span><br \/>\n<span style=\"color: #008000;\">\u2013 les finalistes<\/span> : <em>Changer l\u2019eau des fleurs<\/em> de Val\u00e9rie Perrin (Albin Michel) &#8211; <em>Massacre des innocents<\/em> de Marc Biancarelli (Actes Sud) &#8211; <em>Tyrannie<\/em> de Richard Malka (Grasset) &#8211; <em>La chambre des merveilles<\/em> de Julien Sandrel (Calmann L\u00e9vy) &#8211; <em>Sauf <\/em>d\u2019Herv\u00e9 Comm\u00e8re (Fleuve noir) &#8211; <em>Les indiff\u00e9rents<\/em> de Julien Dufresne Lamy (Belfond)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Fran\u00e7ois-Billetdoux 2018<\/strong>:\u00a0<span style=\"display: inline !important; float: none; background-color: #ffffff; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">Made in China\u00a0de <strong>Jean-Philippe Toussaint<\/strong><\/span> (Minuit)<\/span><\/span><br \/>\n<span style=\"color: #008000;\">\u2013 les finalistes :<\/span> &#8211;\u00a0Le D\u00e9jeuner des barricades\u00a0de Pauline Dreyfus (Grasset) &#8211;\u00a0Les h\u00e9ro\u00efnes de cin\u00e9ma sont plus courageuses que moi\u00a0de Guillaume Gu\u00e9raud (Rouergue) &#8211; O\u00f9 cours-tu William \u2026\u00a0de Denis Jeambar (Calmann L\u00e9vy) &#8211;\u00a0Fraternelle m\u00e9lancolie\u00a0de St\u00e9phane Lambert (Arl\u00e9a) &#8211;\u00a0Aimer Lawrence\u00a0de Catherine Millet (Flammarion) &#8211;\u00a0L\u00e0-bas, ao\u00fbt est un mois d\u2018automne\u00a0de Bruno Pellegrino (Zo\u00e9) &#8211;\u00a0Mina Loy, \u00e9perdument\u00a0de Mathieu Terence (Grasset) &#8211; &#8211;\u00a0Made in China\u00a0de Jean-Philippe Toussaint (Minuit)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix <span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Tour Montparnasse<\/span> 2018<\/strong>:\u00a0<em>Casting sauvage <\/em>d&rsquo;<strong>Hubert Haddad<\/strong> (Zulma) &#8211;\u00a0<em>Foujita, peindre dans les ann\u00e9es folles<\/em> de <strong>Sylvie Buisson et Anne Le Diberder<\/strong>, catalogue d&rsquo;exposition (Mercatorfonds)<\/span><br \/>\n<span style=\"color: #008000;\"> \u2013 les finalistes :\u00a0Cat\u00e9gorie fiction\/essai : <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Le Figurant<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Didier Blonde (Gallimard)<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> &#8211; <\/span><em>De col\u00e8re et d&rsquo;ennui &#8211; Paris chronique de 1832<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Thomas Bouchet (Anamosa) <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>La Mort de Fernand Ochs\u00e9<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Beno\u00eet Duteurtre (Fayard)<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Je suis Jeanne H\u00e9buterne<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> d&rsquo;Olivia Elkaim (Stock) <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Casting sauvage <\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">d&rsquo;Hubert Haddad (Zulma) <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Le Magasin jaune<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Marc Tr\u00e9vidic (Latt\u00e8s)<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Microfilm<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> d&rsquo;Emmanuel Villin (Asphalte)\u00a0<\/span><br \/>\n<span style=\"color: #008000;\">\u2013 les finalistes :<\/span>\u00a0<span style=\"color: #008000;\">Cat\u00e9gorie beaux-arts:<\/span> <span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Mai 68<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, photographies de Bruno Barbey, textes de Bernard Chambaz et Juan Bosco Diaz-Urmeneta (Cr\u00e9aphis) <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Van Dongen &amp; le Bateau-Lavoir<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, collectif, catalogue d&rsquo;exposition (Somogy) <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Foujita, peindre dans les ann\u00e9es folles<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Sylvie Buisson et Anne Le Diberder, catalogue d&rsquo;exposition (Mercatorfonds) <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Les Hollandais \u00e0 Paris: 1789 &#8211; 1914<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, collectif, catalogue d&rsquo;exposition publi\u00e9 (Paris Mus\u00e9es) <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Paris sans fin<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> d&rsquo;Alberto Giacometti (Les Cahiers dessin\u00e9es) <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><em>Vassilieff<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, journal pr\u00e9sent\u00e9 par Anne Egger (Paradox)\u00a0<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de La Coupole \u2013 ancien prix Le Vaudeville 2018 :\u00a0<\/strong><i>Play Boy<\/i><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> de Constance Debr\u00e9 (Stock)<\/span><\/span><\/p>\n<p><span style=\"color: #008000;\"> les finalistes<\/span>: <em>Fille de r\u00e9volutionnaires<\/em> de Laurence Debray (Stock), r\u00e9cent Prix du livre politique et Prix des d\u00e9put\u00e9s &#8211; <em>Play Boy<\/em> de Constance Debr\u00e9 (Stock) &#8211; premier roman &#8211; <em>La mort de Fernand Ochs\u00e9<\/em> de Beno\u00eet Duteurtre (Fayard) &#8211; <em>Les jeunes gens: promotion Macron\u00a0<\/em>de Mathieu Larnaudie (Grasset) &#8211; <em>L&rsquo;affaire Mayerling <\/em>de Bernard Quiriny (Rivages) &#8211; <em>La diagonale du d\u00e9sir <\/em>de Sinziana Ravini (Stock) &#8211; premier roman &#8211; <em>Dos au mur<\/em> de Nicolas Rey (Au Diable vauvert) &#8211; <em>Rien de ce qui est humain n&rsquo;est honteux<\/em> de Marianne Vic (Fayard)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix des libraires 2018<\/strong> :\u00a0<a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=6656\"><i>L\u00e9gende d&rsquo;un dormeur \u00e9veill\u00e9<\/i> de Ga\u00eblle Nohant<\/a> (H\u00e9lo\u00efse d&rsquo;Ormesson)<\/span><br \/>\n<span style=\"color: #008000;\">\u00a02\u00e8me s\u00e9lection<\/span>: <em>Bluff<\/em> de David Fauquemberg (Stock) &#8211; <em>Un loup pour l&rsquo;homme<\/em> de Brigitte Giraud (Flammarion) &#8211; <em>Comment vivre en h\u00e9ros<\/em> de Fabrice Humbert (Gallimard) &#8211; <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=6656\"><em>L\u00e9gende d&rsquo;un dormeur \u00e9veill\u00e9<\/em> de Ga\u00eblle Nohant<\/a> (H\u00e9lo\u00efse d&rsquo;Ormesson) &#8211; <em>Trois jours chez ma tante<\/em> d&rsquo;Yves Ravey (Minuit) &#8211;\u00a0 <span style=\"color: #008000;\">les 3 finalistes<\/span>:\u00a0<i>Comment vivre en h\u00e9ros<\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Fabrice Humbert (Gallimard) &#8211; <\/span><em>L\u00e9gende d&rsquo;un dormeur \u00e9veill\u00e9<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Ga\u00eblle Nohant (H\u00e9lo\u00efse d&rsquo;Ormesson) &#8211; <\/span><em>Trois jours chez ma tante<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> d&rsquo;Yves Ravey (Minuit)<\/span><\/p>\n<p class=\"rtecenter\"><span style=\"color: #008000;\"><strong> Prix <b>Historia<\/b> du roman historique 2018 : <\/strong><em>Les Bourgeois<\/em>, d\u2019Alice Ferney<\/span> (Actes Sud).<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Historia du roman policier historique 2018<\/strong> :\u00a0<em>Mascarade<\/em>, de Ray Celestin<\/span> (Le Cherche Midi).<\/p>\n<p class=\"rtecenter\"><span style=\"color: #008000;\"><strong>Prix <b>Historia<\/b> de la biographie 2018 :\u00a0<\/strong><em>Vergennes. La gloire de Louis XVI<\/em>, de Bernard de Montferrand<\/span> (Tallandier).<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Ars\u00e8ne Lupin 2018<\/strong><\/span> : \u00a0 <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=6755\">\u00ab\u00a0Le suspendu de Conakry\u00a0\u00bb de Jean-Christophe Rufin <\/a><br \/>\n<span style=\"color: #008000;\">les finalistes<\/span> :\u00a0&#8211; Au 5\u00e8 \u00e9tage de la facult\u00e9 de droit de Christos Markogiannakis &#8211; &#8211; Le talent et les assassins de Philippe Dessertine &#8211; &#8211; Les infid\u00e8les de Dominique Sylvain &#8211; &#8211; La griffe du chat de Sophie Chabanel &#8211;\u00a0 Le suspendu de Conakry de Jean-Christophe Rufin &#8211; &#8211; La mille et deuxi\u00e8me nuit de Carole Geneix<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix\u00a0SNCF\u00a0du Polar\u00a02018<\/strong> :\u00a0&#8211; <a href=\"http:\/\/www.cathjack.ch\/wordpress\/?p=993\"><em>Toutes les vagues de l\u2019oc\u00e9an<\/em><\/a>, de Victor del Arbol (Babel noir)<\/span><br \/>\n<span style=\"color: #008000;\">les finalistes<\/span> :\u00a0<i><span style=\"color: #2f2925;\">Six jours<\/span><\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, de Ryan Gattis (Le Livre de poche) &#8211; <\/span><em>Il reste la poussi\u00e8re<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, de Sandrine Collette (Le Livre de poche) &#8211; <\/span><a href=\"http:\/\/www.cathjack.ch\/wordpress\/?p=993\"><em>Toutes les vagues de l\u2019oc\u00e9an<\/em><\/a><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, de Victor del Arbol (Babel noir) &#8211; <\/span><em>Le moineau rouge<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, de Jason Matthews (Points Thriller) &#8211; <\/span><em>Un fond de v\u00e9rit\u00e9<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, de Sigmunt Miloszewski (Pocket Thriller).<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Marcel Pagnol 2018<\/strong><\/span> :\u00a0<span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Colombe Schneck pour <\/span><em>Les guerres de mon p\u00e8re<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">,<\/span> paru en janvier chez Stock.<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix des lecteurs L&rsquo;Express &#8211; BFMTV 2018<\/strong><\/span> : <i><span style=\"color: #008000;\">Un oc\u00e9an, deux mers, trois continents de<\/span> Wilfried N&rsquo;Sond\u00e9<\/i> (Actes Sud)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix M\u00e9diterran\u00e9e 2018<\/strong>: \u00a0Kamel Daoud \u00ab\u00a0Zabor ou les Psaumes\u00a0\u00bb<\/span> (Actes Sud)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix M\u00e9diterran\u00e9e \u00e9tranger 2018<\/strong>: Daniel Mendelsohn \u00ab\u00a0Une odyss\u00e9e\u00a0\u00bb<\/span> (Flammarion).<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix M\u00e9diterran\u00e9e polar 2018<\/strong>: <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=5452\">Gilda Piersanti \u00ab\u00a0Illusion tragique\u00a0\u00bb<\/a><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Le passage) <\/span><\/p>\n<div class=\"img\">\n<div class=\"entity-type-asset entity-type-asset-image view-mode-book_list_small\"><span style=\"color: #008000;\"><strong>Prix M\u00e9diterran\u00e9e polar du 1er roman 2018<\/strong>: <span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Olivier Bal<\/span> \u00ab\u00a0Les limbes\u00a0\u00bb<\/span> (De Saxus)<\/div>\n<\/div>\n<p><span style=\"color: #008000;\"><strong>le Prix Litt\u00e9rature-monde<\/strong>\u00a0 2018<\/span>: Le jeune romancier s\u00e9n\u00e9galais <span style=\"color: #008000;\"><em>Mohamed Mbougar Sarr<\/em><\/span> a \u00e9t\u00e9 prim\u00e9 par le jury du Prix litt\u00e9rature-monde pour son roman<span style=\"color: #008000;\"> <i>Silence du Choeur<\/i><\/span> (Pr\u00e9sence Africaine)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Litt\u00e9rature-monde \u00e9tranger 2018<\/strong><\/span> : L\u2019\u00e9crivain islandais <span style=\"color: #008000;\">Einar M\u00e1r Gu\u00f0mundsson<\/span> a quant \u00e0 lui re\u00e7u le prix litt\u00e9rature-monde \u00e9tranger pour son livre<span style=\"color: #008000;\"> <i>Les Rois d\u2019Islande<\/i><\/span> (Zulma \u00c9ditions)<\/p>\n<p><strong>Prix du Livre de voyage urbain Figaro Magazine\/The Penisula Paris 2018<\/strong>\u00a0:<\/p>\n<p><span style=\"color: #339966;\"><span style=\"color: #008000;\"><strong>Grand prix de l&rsquo;h\u00e9ro\u00efne Madame Figaro, cat\u00e9gorie document\/biographie<\/strong> : \u00ab\u00a0Gabri\u00eble\u00a0\u00bb\u00a0 Anne Berest, Claire Berest<\/span>,<\/span> (Stock)<\/p>\n<p><span style=\"color: #008000;\"><strong>Grand prix de l&rsquo;h\u00e9ro\u00efne Madame Figaro, cat\u00e9gorie roman<\/strong> : \u00ab\u00a0Les r\u00eaveurs\u00a0\u00bb Isabelle Carr\u00e9<\/span>, Grasset et Fasquelle<\/p>\n<p><span style=\"color: #339966;\"><span style=\"color: #008000;\"><strong>Grand prix de l&rsquo;h\u00e9ro\u00efne Madame Figaro, cat\u00e9gorie roman \u00e9tranger<\/strong> <\/span>: \u00ab\u00a0My absolute darling\u00a0\u00bb Gabriel Tallent<\/span>, Gallmeister<\/p>\n<p><span style=\"color: #008000;\"><strong>Grand Prix des Lectrices Elle\u00a0Roman 2018<\/strong> :\u00a0<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'GeorgiaPro'; font-size: 17.93px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 30.48px; list-style-type: none; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">Anna Hope,\u00a0 \u00abLa salle de bal\u00bb<\/span> (Ed. Gallimard)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Grand Prix des Lectrices Elle Policier 2018<\/strong>:\u00a0<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'GeorgiaPro'; font-size: 17.93px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 30.48px; list-style-type: none; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">Eva Dolan\u00a0 \u00ab Les chemins de la haine \u00bb<\/span> (Ed. Liana Levi)<\/span><\/p>\n<p><strong><span style=\"color: #008000;\">Grand Prix des Lectrices Elle Document 2018:\u00a0 <\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'GeorgiaPro'; font-size: 17.93px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 30.48px; list-style-type: none; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=5458\"><span style=\"color: #008000;\">Delphine Minoui\u00a0 \u00ab Les passeurs de livres de Daraya\u00bb<\/span><\/a> (Ed. Seuil)<\/span><\/strong><\/p>\n<p><span style=\"color: #008000;\"><strong>Le Goncourt de la biographie 2018<\/strong> : \u00a0<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Denis Demonpion pour\u00a0<\/span><em>Salinger intime: Enqu\u00eate sur l&rsquo;auteur de L&rsquo;Attrape-c\u0153urs<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Robert Laffont)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Grand Prix roman noir 2018 \u2013 \u00e9tranger<\/strong> (Beaune) :\u00a0<strong>Peter Farris \u00ab\u00a0Le Diable en personne\u00a0\u00bb <\/strong><\/span>(Gallmeister, \u00ab\u00a0N\u00e9o noire\u00a0\u00bb)<\/p>\n<p><span style=\"color: #008000;\"><b>Le\u00a0Prix du 1er roman policier (Beaune)<\/b> \u00e0 Charlotte Cahn\u00e9 \u00ab\u00a0<strong>Fatale descente<\/strong>\u201d<\/span> (\u00c9d.Le Masque)<\/p>\n<p><span style=\"color: #008000;\"><strong>Grand Prix du\u00a0 roman policier francophone (Beaune)<\/strong> :\u00a0Jacky Schwartzmann \u00ab\u00a0Demain c&rsquo;est loin\u00a0\u00bb<\/span> (Seuil, \u00ab\u00a0Cadre noir\u00a0\u00bb)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de \u00a0la revue <em>America <\/em>cofond\u00e9e par Fran\u00e7ois Busnel et \u00c9ric Fottorino 2018<\/strong>. :\u00a0<\/span><em><span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: FontSiteSansRoman,'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Gabriel Tallent pour son premier roman <\/span>My Absolute Darling<\/span><span style=\"text-align: left; color: #444444; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: FontSiteSansRoman,'Helvetica Neue',Helvetica,Arial,sans-serif; font-size: 15px; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> (\u00e9ditions Gallmeister)<\/span><\/em><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Saint-Maur en Poche du Polar<\/strong> <\/span>:<br \/>\n<span style=\"color: #008000;\"><strong>Roman fran\u00e7ais<\/strong><\/span> :<br \/>\ns\u00e9lectionn\u00e9s :\u00a0 Un clafoutis aux tomates cerises de V\u00e9ronique de Bure &#8211; J\u2019ai Lu \u2022 L\u2019embaumeur ou l\u2019odieuse confession de Victor Renard &#8211; Isabelle Duquesnoy &#8211; Points \u2022 Vincent qu\u2019on assassine de Marianne Jaegl\u00e9 &#8211; Folio \u2022 Par amour de Val\u00e9rie Tong Cuong &#8211; Le Livre de poche<br \/>\n<strong><span style=\"color: #008000;\">Roman \u00e9tranger<\/span><\/strong>\u00a0:<br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">s\u00e9lectionn\u00e9s :\u00a0La ferme du bout du monde de Sarah Vaughan &#8211; Le Livre de poche \u2022 La maison au bord de la nuit de Catherine Banner &#8211; Pocket \u2022 La voix des Vagues de Jackie Copleton &#8211; Pocket \u2022 Un petit boulot de Iain Levison &#8211; Liana Levi<br \/>\n<\/span><span style=\"color: #008000;\"><strong>Polar<\/strong><\/span> :<br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">s\u00e9lectionn\u00e9s :\u00a0<\/span>Les lois du ciel de Gr\u00e9goire Courtois &#8211; Folio \u2022 Les salauds devront payer de Emmanuel Grand &#8211; Le Livre de poche \u2022 La fille id\u00e9ale de Gilly Macmillan &#8211; Pocket \u2022 L\u2019affaire de l\u2019homme \u00e0 l\u2019escarpin de Jean-Christophe Portes &#8211; City editions<\/p>\n<p>Essai :<br \/>\nJeunesse :<br \/>\n<strong>Coups de coeur de la Griffe Noire : <\/strong><em>\u00a0<\/em><br \/>\n<strong>Prix Griffe Noire du Polar de l&rsquo;ann\u00e9e<\/strong> :<br \/>\n<strong>Prix pour l&rsquo;ensemble de son oeuvre<\/strong> :<br \/>\n<strong>Prix \u00ab\u00a0Honoris causa\u00a0\u00bb des lecteurs<\/strong> :<\/p>\n<p><strong>Prix du Thriller VSD<\/strong> \u2014 RTL 2018<br \/>\n<strong>meilleur thriller fran\u00e7ais<\/strong> (parrain\u00e9 par) :<br \/>\n<strong>meilleur thriller \u00e9tranger<\/strong> (parrain\u00e9 par) :<br \/>\n<strong>Coup de coeur RTL<\/strong> :<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix des Cinq Continents de la Francophonie 2018\u00a0 :\u00a0<\/strong> <strong>Jean Marc Turine<\/strong>, \u00ab\u00a0<i>La th\u00e9o des fleuves<\/i>\u00ab\u00a0<\/span> (Esperlu\u00e8te, F\u00e9d\u00e9ration Wallonie Bruxelles) &#8211; <span style=\"color: #008000;\">Mention sp\u00e9ciale\u00a0: St\u00e9fanie Clermont, \u00ab\u00a0<i>Le jeu de la musique<\/i>\u00ab\u00a0<\/span> (Le Quartanier, Canada Qu\u00e9bec)<\/p>\n<p><span style=\"color: #008000;\"><em>10 finalistes<\/em><\/span>:\u00a0 1994 de Adl\u00e8ne Meddi (Alg\u00e9rie) aux \u00e9ditions Barzakh (Alg\u00e9rie) &#8211; Balkis de Chlo\u00e9 Falcy (Suisse) aux Pearlbooksedition (Suisse) &#8211; B\u00e9n\u00e9dict de C\u00e9cile Ladjali (France \/ Iran) aux \u00e9ditions Actes Sud (France) &#8211; Il est \u00e0 toi ce beau pays de Jennifer Richard (France \/ Etats- Unis) aux \u00e9ditions Albin Michel (France) &#8211; Le jeu de la musique de St\u00e9fanie Clermont (Canada Qu\u00e9bec) aux \u00e9ditions Le Quartanier (Canada Qu\u00e9bec) &#8211; Les passagers du si\u00e8cle de Viktor Lazlo (F\u00e9d\u00e9ration Wallonie Bruxelles) aux \u00e9ditions Grasset (France) &#8211; Le peintre d\u2019aquarelles de Michel Tremblay (Canada Qu\u00e9bec) aux \u00e9ditions Lemeac (Canada Qu\u00e9bec) &#8211; Revenir de Raharimanana (Madagascar) aux \u00e9ditions Rivages (France) &#8211; Silence du Ch\u0153ur de Mohamed Mbougar Sarr (S\u00e9n\u00e9gal) aux \u00e9ditions Pr\u00e9sence Africaine (France) &#8211; La Th\u00e9o des fleuves de Jean-Marc Turine (F\u00e9d\u00e9ration Wallonie Bruxelles) aux \u00e9ditions Esperluete (F\u00e9d\u00e9ration Wallonie Bruxelles)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de litt\u00e9rature de l\u2019Union europ\u00e9enne 2018<\/strong><\/span> :<\/p>\n<p>Dans la cat\u00e9gorie <span style=\"color: #008000;\"><strong>roman<\/strong> :\u00ab\u00a0Les Amn\u00e9siques\u00a0\u00bb, de\u00a0G\u00e9raldine Schwarz<\/span><br \/>\nDans la cat\u00e9gorie <strong><span style=\"color: #008000;\">essai<\/span><\/strong> : \u00ab\u00a0<span style=\"color: #008000;\">Orban, Europe\u2019s New Strongman\u00a0\u00bb, de\u00a0Paul Lendvai<\/span><br \/>\n<span style=\"color: #008000;\"><strong>Prix sp\u00e9cial du Jury<\/strong> : \u00ab\u00a0Retour \u00e0 Lemberg\u00a0\u00bb, de\u00a0Philippe Sands<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Saint-Simon (42\u00e8me)\u00a02018<\/strong>:\u00a0 <span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Claude Martin<\/span>\u00ab\u00a0La diplomatie n&rsquo;est pas un d\u00eener de gala : m\u00e9moires d&rsquo;un ambassadeur : Paris-P\u00e9kin-Berlin\u00a0\u00bb<\/span> (<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">L\u2019Aube<\/span>)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Orange du livre 2018<\/strong>:\u00a0<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Joachim Schnerf \u00ab\u00a0<\/span><em>Cette nuit<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">\u00a0\u00bb <\/span>(Zulma)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Le Prix Stanislas\u00a02018<\/strong> <\/span>(meilleur premier roman publi\u00e9 \u00e0 la rentr\u00e9e litt\u00e9raire)<strong>\u00a0: <span style=\"color: #008000;\">\u00a0<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Estelle-Sarah Bulle pour <\/span><em>L\u00e0 o\u00f9 les chiens aboient par la queue<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Liana Levi)<\/span><\/strong><\/p>\n<p><span style=\"color: #008000;\"><strong>\u00a0Les prix Transfuge 2018<\/strong><\/span><\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Meilleur roman de langue fran\u00e7aise : <span style=\"color: #339966;\"><em>L\u00e8vres de pierre<\/em> de <strong>Nancy Huston<\/strong><\/span> (Actes Sud)<\/li>\n<li>Meilleur essai : <span style=\"color: #339966;\"><em>L&rsquo;enfant d&rsquo;Ingolstadt <\/em>de <strong>Pascal Quignard<\/strong><\/span> (Grasset)<\/li>\n<li>Meilleur premier roman : <span style=\"color: #339966;\"><em>La grande id\u00e9e<\/em> d&rsquo;<strong>Anton Beraber <\/strong><\/span>(Gallimard)<\/li>\n<li>Meilleur roman europ\u00e9en : <span style=\"color: #339966;\"><em>Les livres de Jakob<\/em> d&rsquo; <strong>Olga Tokarczuk<\/strong><\/span> (Noir sur blanc)<\/li>\n<li>Meilleur livre am\u00e9ricain (ex-aequo) : <span style=\"color: #339966;\"><em>For\u00eat obscure <\/em>de <strong>Nicole Krauss<\/strong><\/span> (L&rsquo;Olivier) et <span style=\"color: #339966;\"><em>Moonglow<\/em> de <strong>Michael Chabon<\/strong><\/span> (Robert Laffont)<\/li>\n<li>Meilleur roman isra\u00e9lien : <span style=\"color: #339966;\"><em>La maison de ruines <\/em>de <strong>Ruby Namdar<\/strong><\/span> (Belfond)<\/li>\n<li>Meilleur roman arabe : <span style=\"color: #339966;\"><em>J&rsquo;ai couru vers le Nil<\/em> d<strong>&lsquo;Alaa El Aswany<\/strong><\/span> (Actes Sud)<\/li>\n<li>Meilleur roman hispanique : <span style=\"color: #339966;\"><em>Moronga <\/em>d&rsquo;<\/span><strong><span style=\"color: #339966;\">Horacio Castellanos Moya<\/span> (<\/strong>M\u00e9taili\u00e9)<\/li>\n<li>Meilleur roman africain : <span style=\"color: #339966;\"><em>L&rsquo;heure de l&rsquo;ange <\/em>de <strong>Karel Schoeman<\/strong><\/span> (Ph\u00e9bus)<\/li>\n<li>Meilleur texte de th\u00e9\u00e2tre : <span style=\"color: #339966;\"><em>Tous des oiseaux du ciel <\/em>de<strong> Wajdi Mouawad<\/strong> <\/span>(Actes Sud-Papiers)<\/li>\n<li>Meilleur r\u00e9cit : <span style=\"color: #339966;\"><i>Avec toutes mes sympathies<\/i> d&rsquo;<strong>Olivia de Lamberterie <\/strong><\/span>(Stock)<\/li>\n<li>Meilleur livre d&rsquo;art : <span style=\"color: #339966;\"><em>L\u2019arch\u00e9ologie en bulles <\/em>de <strong>Fabrice Douar <\/strong>et <strong>Jean-Luc Martinez <\/strong><\/span>(Seuil)<\/li>\n<li>Meilleur livre de cin\u00e9ma :\u00a0<span style=\"color: #339966;\"><em>Federico<\/em>\u00a0<em>Fellini &#8211; Le M\u00e9tier de cin\u00e9aste <\/em>de <strong>Rita Cirio<\/strong><\/span> (Seuil)<\/li>\n<li>Meilleur espoir polar : <span style=\"color: #339966;\"><em>Parfois c\u2019est le diable qui vous sauve de l\u2019enfer<\/em> de <strong>Jean Paul Chaumeil<\/strong><\/span> (Rouergue)<\/li>\n<li>Meilleur polar \u00e9tranger : <span style=\"color: #339966;\"><em>Prodiges et miracles de <\/em><strong>Joe Meno<\/strong><\/span> (Agullo)<\/li>\n<li>Meilleur polar francophone :\u00a0<span style=\"color: #339966;\"><em>1994 <\/em>d&rsquo;<strong>Adl\u00e8ne Meddi<\/strong><\/span> (Rivages Noir)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<span style=\"color: #008000;\">Prix FNAC 2018<\/span><\/strong><span style=\"color: #008000;\">: \u00a0<strong><em>Dieudonn\u00e9, Adeline<\/em><\/strong><em> &#8211; La vraie vie<\/em> &#8211;<\/span> (Iconoclaste Eds)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix des libraires de Nancy \u2013 Le Point 2018<\/strong> <\/span>:\u00a0<span style=\"color: #008000;\"><i>\u00c7a raconte Sarah<\/i><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"> de Pauline Delabroy-Allard<\/span> (Minuit)<\/span><\/p>\n<p><span style=\"color: #008000;\">finalistes :<\/span> <em>Le malheur du bas<\/em> d&rsquo;In\u00e8s Bayard (Albin Michel) &#8211; <em>Arcadie<\/em>\u00a0Emmanuelle Bayamack-Tam (P.O.L) &#8211; <em>Capitaine <\/em>d&rsquo;Adrien Bosc (Stock) &#8211; <em>Nuit sur la neige <\/em>de\u00a0Laurence Coss\u00e9 (Gallimard) &#8211; <em>\u00c7a raconte Sarah<\/em> de Pauline Delabroy-Allard (Minuit) &#8211; <em>Fr\u00e8re d\u2019\u00e2me<\/em> de David Diop (Seuil) &#8211; <em>Helena<\/em> de J\u00e9r\u00e9my Fel (Rivages) &#8211; <em>Lynx<\/em> de Claire Genoux (Corti) &#8211; <em>Chien-Loup<\/em> de Serge Joncour (Flammarion) &#8211; <em>L&rsquo;\u00eele aux troncs <\/em>de Michel Jullien (Verdier) &#8211; <em>Un monde \u00e0 port\u00e9e de main<\/em> de\u00a0Maylis de Kerangal (Verticales) &#8211; <em>Loup et les hommes<\/em> d&rsquo;Emmanuelle Pirotte (Cherche Midi) &#8211; <em>Tu t&rsquo;appelais Maria Schneider<\/em> de Vanessa Schneider (Grasset)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Livre et Droits de l&rsquo;Homme par Ville de Nancy<\/strong>\u00a0 : Kouam\u00e9 pour \u00ab\u00a0Revenu des t\u00e9n\u00e8bres\u00a0\u00bb<\/span>.<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de la Feuille d\u2019or de la ville de Nancy \u2013 France Bleu Lorraine \u2013 France 3 Lorraine 2018<\/strong><\/span>\u00a0: Prix des m\u00e9dias <span style=\"color: #008000;\">Nicolas Mathieu \u00ab\u00a0Leurs enfants apr\u00e8s eux\u00a0\u00bb<\/span> ( Ed. Actes Sud ).<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Roman-News 2018<\/strong><\/span> : (Ce prix r\u00e9compense un auteur francophone d\u00e9pla\u00e7ant vers la fiction un fait divers ou un personnage issu du r\u00e9el.)\u00a0 <span style=\"color: #008000;\">\u00ab\u00a0Le lambeau \u00ab\u00a0de Philippe Lan\u00e7on<\/span>, Gallimard<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix : \u00ab\u00a0Envoy\u00e9 par La Poste\u00a0\u00bb 2018<\/strong> :\u00a0<\/span><i>\u00c7a raconte Sarah<\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Pauline Delabroy-Allard (Minuit) <\/span><\/p>\n<p><span style=\"color: #008000;\">s\u00e9lection<\/span> : <em>Le malheur du bas<\/em> d&rsquo;In\u00e8s Bayard (Albin Michel) &#8211; <em>La grande id\u00e9e<\/em>, d&rsquo;Anton Beraber (Gallimard) &#8211; <em>L\u00e0 o\u00f9 les chiens aboient par la queue<\/em> d&rsquo;Estelle-Sarah Bulle (Liana Levi) &#8211; <em>\u00c7a raconte Sarah<\/em> de Pauline Delabroy-Allard (Minuit) &#8211; <em>La vraie vie <\/em>d&rsquo;Adeline Dieudonn\u00e9 (L\u2019Iconoclaste)<\/p>\n<p><span style=\"color: #008000;\"><strong>Grand Prix de Litt\u00e9rature Polici\u00e8re 2018<\/strong><\/span> :\u00a0<span style=\"text-align: left; color: #008000; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Marion Brunet\u00a0: L\u2019\u00e9t\u00e9 circulaire (Albin Michel, 2018) <\/span><br \/>\n<em>Les\u00a0 s\u00e9lectionn\u00e9s :\u00a0<\/em>Xavier Boissel\u00a0: Avant l\u2019aube (Ed.10-18, 2017) &#8211;\u00a0Marion Brunet\u00a0: L\u2019\u00e9t\u00e9 circulaire (Albin Michel, 2018) &#8211;\u00a0Lionel Fintoni\u00a0: Il ne faut jamais faire le mal \u00e0 demi (L\u2019Aube noire, 2017) &#8211;\u00a0Marin Ledun\u00a0: Ils ont voulu nous civiliser (Flammarion, 2017) &#8211;\u00a0Olivier Norek\u00a0: Entre deux mondes (M.Lafon, 2017) &#8211;\u00a0Jean-Bernard Pouy\u00a0: Ma ZAD (S\u00e9rie Noire, 2018) &#8211;\u00a0S\u00e9bastien Raizer\u00a0: Minuit \u00e0 contre-jour (S\u00e9rie Noire, 2017) &#8211;\u00a0Jacky Schwartzmann\u00a0: Demain c\u2019est loin (Seuil &#8211; Cadre noir, 2017) &#8211;\u00a0Gilles Sebhan\u00a0: Cirque mort (Rouergue noir, 2018) &#8211;\u00a0Isabelle Sivan\u00a0: Dankala (Serge Safran, 2018) &#8211;\u00a0Marc Vilard\u00a0: Les biffins (J. Losfeld, 2018)<\/p>\n<p><span style=\"color: #008000;\"><strong>Grand Prix de Litt\u00e9rature Polici\u00e8re 2018<\/strong> \u2013 \u00e9tranger<\/span> :\u00a0<span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Jake Hinkson,\u00a0<\/span> Sans lendemain\u00a0\u00bb<\/span> (<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Gallmeister<\/span>)<\/p>\n<p>les <em>s\u00e9lectionn\u00e9s :\u00a0<\/em>Tove Alsterdal\u00a0: Tango fant\u00f4me (Rouergue noir, 2017) &#8211;\u00a0Fernando Aramburu\u00a0: Patria (Actes Sud, 2018) &#8211;\u00a0Alex Berg\u00a0: Semailles mortelles (J.Chambon \u2013 Noir, 2018) &#8211;\u00a0Eva Dolan\u00a0: Les chemins de la haine (Liana Levi, 2018) &#8211;\u00a0Peter Farris\u00a0: Le diable en personne (Gallmeister, 2017) &#8211;\u00a0Colin Harrison\u00a0: Manhattan vertigo (Belfond noir, 2018) &#8211;\u00a0Jake Hinkson\u00a0: Sans lendemain (Gallmeister, 2018) &#8211;\u00a0Jorn Lier Horst\u00a0: Les chiens de chasse (S\u00e9rie noire, 2018) &#8211;\u00a0Dirk Kurbjuweit\u00a0: Peur (Delcourt, 2018) &#8211;\u00a0Alan Parks\u00a0: Janvier noir (Rivages, 2018) &#8211;\u00a0Tom Piccirilli\u00a0: Les derniers mots (S\u00e9rie noire, 2018) &#8211;\u00a0Gabriel Tallent\u00a0: My absolute darling (Gallmeister, 2018)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Sade 2018 : <span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Jonathan Littell pour <\/span><em>Une vieille histoire<\/em><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">. <span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Gallimard)<\/span><\/span><\/span><\/strong><\/span><br \/>\n<span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span>: <em>L\u2019animal de compagnie<\/em>, <strong>L\u00e9o Barthe<\/strong> (La Musardine) &#8211; <em>Dirty<\/em>, <strong>Mavado Charon<\/strong> (Mania Press) &#8211; <em>Lykaia<\/em>, <strong>DOA<\/strong> (Gallimard, \u00e0 para\u00eetre le 4 octobre) &#8211; <em>Une vieille histoire<\/em>, <strong>Jonathan Littell <\/strong>(Gallimard) &#8211; <em>L\u2019adolescente japonaise<\/em>, <strong>St\u00e9phane du Mesnildot<\/strong> (Le Murmure) &#8211; <em>Les saintes de l\u2019ab\u00eeme<\/em>, <strong>Elizabeth Prouvost<\/strong> (Humus) &#8211; <em>La vespasienne<\/em>, <strong>S\u00e9bastien Rut\u00e9s<\/strong> (Albin Michel) &#8211; <em>Ink is my blood,<\/em> <strong>Apollonia Saintclair<\/strong> (Encre sympathique<em><strong>) &#8211; <\/strong><\/em><em>Une histoire des sexualit\u00e9s<\/em>, <strong>Sylvie Steinberg<\/strong> (Puf) <em>Camarades de P\u00e9kin<\/em>, <strong>Bei Tong<\/strong> (Calmann-L\u00e9vy)<\/p>\n<p><strong><span style=\"color: #339966;\"><span style=\"color: #008000;\">Prix Sade 2018 du 1er roman<\/span> <\/span><em>: <\/em><\/strong><\/p>\n<p><strong><span style=\"color: #008000;\">Prix du Roman des \u00e9tudiants France Culture-T\u00e9l\u00e9rama<\/span>\u00a0 <span style=\"color: #008000;\">2018<\/span><\/strong><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span>: La robe blanche de\u00a0 Nathalie L\u00e9ger, P.O.L &#8211; Ca raconte Sarah de Pauline Delabroy-Allard, Minuit &#8211; Arcadie de Emmanuelle Bayamack-Tam, P.O.L &#8211; Leurs enfants apr\u00e8s eux de Nicolas Mathieu, Actes Sud &#8211; Trois enfants du tumulte de Yves Bichet, Mercure de France<\/p>\n<p><span style=\"color: #008000;\"><strong>Le Grand Prix des Rendez-vous de l&rsquo;histoire 2018<\/strong> <\/span>: <span style=\"color: #008000;\">Les enfants de Staline : la guerre des partisans sovi\u00e9tiques (1941-1944) &#8211; Masha Cerovic<\/span>, (Le Seuil)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du Roman historique 2018<\/strong> <\/span>: <span style=\"color: #008000;\">Le bon coeur &#8211; Michel Bernard<\/span>, (La Table ronde)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du noir historique 2018<\/strong><\/span> : \u00a0<span style=\"color: #008000;\">Tu dormiras quand tu seras mort de\u00a0 Fran\u00e7ois Muratet, Jo\u00eblle Losfeld (<\/span>Gallimard)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Augustin-Thierry<\/strong> <strong>2018<\/strong>:\u00a0 <span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Fran\u00e7ois Jarrige, Thomas Le Roux, \u00ab\u00a0<\/span>La contamination du monde : une histoire des pollutions \u00e0 l&rsquo;\u00e2ge industriel\u00a0\u00bb<\/span> (Le Seuil)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Ch\u00e2teau de Cheverny de la bande dessin\u00e9e historique 2018<\/strong> :\u00a0La d\u00e9confiture Volume 2 &#8211;\u00a0 Pascal Rabat\u00e9, Futuropolis<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix\u00a0Filigranes 2018<\/strong><\/span>\u00a0 : <span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'source_sans_proregular',Arial,Helvetica,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Adeline Dieudonn\u00e9, <\/span><em>La vraie vie<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; font-family: 'source_sans_proregular',Arial,Helvetica,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"> aux \u00e9ditions<\/span> (L&rsquo;Iconoclaste) suivi de pr\u00e8s par <\/span><em>Helena<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; font-family: 'source_sans_proregular',Arial,Helvetica,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de J\u00e9r\u00e9my Fel et <\/span><em>S\u00e9quoias<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; font-family: 'source_sans_proregular',Arial,Helvetica,sans-serif; font-size: 15px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Michel Moutot. <span style=\"color: #008000;\">&#8211; <\/span><\/span><span style=\"color: #339966;\"><span style=\"color: #008000;\">les finalistes<\/span> :<\/span> <em>La rose de Saragosse<\/em> de Rapha\u00ebl Jerusalmy (Actes Sud) &#8211; <em>Maramisa<\/em> de Vincent Engel (Les Escales) &#8211; <em>La fin des idoles<\/em> de Nicolas Gaudemet (Tohu-Bohu), premier roman &#8211; <em>La vraie vie<\/em> d&rsquo;Adeline Dieudonn\u00e9 (L\u2019Iconoclaste), premier roman, \u00e0 para\u00eetre le 29 ao\u00fbt &#8211; <em>Helena<\/em> de J\u00e9r\u00e9my Fel (Rivages), \u00e0 para\u00eetre le 22 ao\u00fbt<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix litt\u00e9raire de la Vocation 2018<\/strong><\/span> (42\u00eame \u00e9dition) :\u00a0B<span style=\"color: #008000;\">oris Bergmann \u00ab\u00a0Nage Libre\u00a0\u00bb<\/span> \u00e9dit\u00e9 chez Calmann L\u00e9vy<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Le Livre de Poche \/ le choix des lecteurs (cat\u00e9gorie Polar\u00a0)<\/strong> <strong>2018<\/strong><\/span>:\u00a0<span style=\"color: #008000;\">Canicule de\u00a0Jane Harper<\/span>, Librairie g\u00e9n\u00e9rale fran\u00e7aise<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix des lecteurs du Livre de Poche \/ le choix des lecteurs (cat\u00e9gorie litt\u00e9rature)\u00a0 2018<\/strong> <\/span>:\u00a0<span style=\"color: #008000;\">Par amour &#8211;\u00a0Val\u00e9rie Tong Cuong<\/span>, Librairie g\u00e9n\u00e9rale fran\u00e7aise<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix des lecteurs du Livre de Poche \/ le choix des lecteurs (cat\u00e9gorie litt\u00e9rature etrang\u00e8re)\u00a0 2018<\/strong> <span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">:\u00a0<\/span>No home de\u00a0Yaa Gyasi<\/span>, Librairie g\u00e9n\u00e9rale fran\u00e7aise<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix\u00a0 du Livre de Poche \/ le choix des lecteurs documents\/essais\u00a0 2018 <\/strong><\/span><em>: <\/em><span style=\"color: #008000;\">La grande histoire du monde de\u00a0Fran\u00e7ois Reynaert<\/span>, Librairie g\u00e9n\u00e9rale fran\u00e7aise<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de la litt\u00e9rature arabe 2018 :\u00a0<\/strong><em>\u00a0<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Omar Robert Hamilton<\/span> \u00ab\u00a0<\/em>La ville gagne toujours \u00ab\u00a0<\/span> (Gallimard)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du Polar Romand 2018 (Lausan&rsquo;noir) <\/strong><\/span><br \/>\n<strong><span style=\"color: #008000;\">premi\u00e8re s\u00e9lection<\/span> :\u00a0<\/strong> <em>Le Mage noir<\/em>, Olivia Gerig (L\u2019\u00c2ge d\u2019Homme) &#8211;\u00a0 <em>Les trois singes<\/em>, Florian S\u00e4gesser (L\u2019\u00c2ge d\u2019Homme) &#8211; <em>Carnaval noir<\/em>, Metin Arditi (Grasset) &#8211; \u00a0 <em>Les casseurs d\u2019os<\/em>, S\u00e9bastien Meier (Fleuve Noir) <em>Le miroir des \u00e2mes<\/em>, Nicolas Feuz (Slatkine) &#8211;\u00a0 <em>Nora<\/em>, Louise Anne Bouchard (Slatkine) &#8211; \u00a0\u00a0 <em>La Coach<\/em>, Nicolas Verdan (BSN Press) &#8211; \u00a0 <em>24 heures<\/em>, Marie-Christine Horn (BSN Press) &#8211; \u00a0\u00a0 <em>La cagoule<\/em>, Bastien Fournier (L\u2019Aire) &#8211; <em>L\u2019ombre du souvenir<\/em>, Marie Javet (Plaisir de Lire) &#8211;\u00a0 <em>La s\u00e9quence<\/em>, Stefan Catsicas (Favre) &#8211;\u00a0<span style=\"color: #008000;\">Les trois finalistes<\/span> :<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Violeta Negra 2018 :\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8211; <\/span><a href=\"http:\/\/www.cathjack.ch\/wordpress\/?p=4291\">Carlos Salem: <em>Attends-moi au ciel<\/em><\/a><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Actes Sud)<\/span><\/strong><\/span><br \/>\n<span style=\"color: #008000;\"> s\u00e9lectionn\u00e9s<\/span>\u00a0: Mimmo Gangemi: <em>La v\u00e9rit\u00e9 du petit juge<\/em> (Seuil Noir) \u2013 traduit de l\u2019italien par Christophe Mileschi &#8211; <a href=\"http:\/\/www.cathjack.ch\/wordpress\/?p=4291\">Carlos Salem: <em>Attends-moi au ciel<\/em><\/a> (Actes Sud) \u2013 traduit de l\u2019espagnol (Argentine) par Judith Vernant &#8211; <a href=\"http:\/\/www.cathjack.ch\/wordpress\/?p=4613\">Antonio Manzini: <em>Maudit printemps<\/em><\/a> (Deno\u00ebl) \u2013 traduit de l\u2019italien par Samuel Sfez &#8211; Martin Solares: <em>N\u2019envoyez pas de fleurs<\/em> (Bourgois) \u2013 traduit de l\u2019espagnol (Mexique) par Christilla Vasserot &#8211; Alexis Ravelo: <em>La strat\u00e9gie du p\u00e9kinois<\/em> (Mirobole) \u2013 traduit de l\u2019espagnol par Amandine Py &#8211; Pedro Garcia Rosado: <em>Mort sur le Tage<\/em> (Chandeigne) \u2013 traduit du portugais par Myriam Benarroch<\/p>\n<p data-gtm=\"titre_article\"><span style=\"color: #008000;\"><strong>\u00ab Le nouveau prix de litt\u00e9rature\u00a0\u00bb, alternative au\u00a0Nobel<\/strong><\/span> :\u00a0 La Guadeloup\u00e9enne <span style=\"color: #008000;\">Maryse Cond\u00e9<\/span> &#8211;\u00a0L\u2019\u00e9crivaine de 81\u00a0ans, auteure d\u2019une trentaine de romans portant notamment sur l\u2019esclavage et le colonialisme, a \u00e9t\u00e9 choisie par un vote populaire.<\/p>\n<p><strong><span style=\"color: #008000;\">Man Booker Prize 2018:\u00a0Anna Burns, <em>Milkman<\/em><\/span><\/strong>\u00a0(Faber &amp; Faber)<\/p>\n<p>6 romans \u00e9trangers figurent dans la liste des finalistes du Man Booker International Prize: l&rsquo;auteure fran\u00e7aise\u00a0Virginie Despentes pour le premier tome de <em>Vernon Subutex<\/em> , le Sud-Cor\u00e9en Han Kang (<em>The White Book<\/em>, Portobello Books), le Hongrois\u00a0L\u00e1szl\u00f3 Krasznahorkai (<em>The World Goes On<\/em>, Tuskar Rock Press), l&rsquo;Espagnol\u00a0Antonio Mu\u00f1oz Molina (<em>Like a Fading Shadow<\/em>, Tuskar Rock Press, disponible en fran\u00e7ais au Seuil sous le titre <em>Comme l&rsquo;ombre qui s&rsquo;en va<\/em>), l&rsquo;Iraquien Ahmed Saadawi (<em>Frankenstein in Baghdad<\/em>, OneWorld, disponible en fran\u00e7ais chez Piranha et au livre de Poche sous le titre <em>Frankenstein \u00e0 Bagdad<\/em>) et la Polonaise Olga Tokarczuk (<em>Flights<\/em>, Fitzcarraldo editions).\u00a0 6 finalistes:\u00a0 Anna Burns, <em>Milkman<\/em>\u00a0(Faber &amp; Faber) &#8211; Esi Edugyan, <em>Washington Black<\/em>\u00a0(Serpent\u2019s Tail). Ses ouvrages ont \u00e9t\u00e9 publi\u00e9s en France chez Liana Levi. &#8211; Daisy Johnson, <em>Everything under\u00a0<\/em>(Jonathan Cape). A para\u00eetre en f\u00e9vrier 2019 chez Stock sous le titre <em>Tout ce qui nous submerge<\/em>. &#8211; Rachel Kushner, <em>The Mars Room<\/em>\u00a0(Jonathan Cape). Publi\u00e9 chez Stock sous le titre <em>Le Mars Club<\/em>. &#8211; Richard Powers, <em>The Overstory\u00a0<\/em>(Willian Heinemann). Publi\u00e9 au Cherche Midi sous le titre <em>L\u2019arbre-monde<\/em>. &#8211;\u00a0 Robin Robertson, <em>The long take<\/em>\u00a0(Picador<\/p>\n<p><span style=\"color: #008000;\"><strong>Grand prix de litt\u00e9rature am\u00e9ricaine 2018<\/strong> :<\/span><span style=\"color: #800000;\"><span style=\"color: #008000;\">\u00a0<i>L\u2019Arbre-Monde<\/i><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"> de Richard Powers<\/span>, traduit par Serge Chauvin\u00a0(Le Cherche-Midi)<\/span><\/span><br \/>\n1 \u00e8re s\u00e9lection: <em>Une douce lueur de malveillance<\/em> de Dan Chaon, traduit par H\u00e9l\u00e8ne Fournier\u00a0(Albin Michel) &#8211; <em>Au loin<\/em> de Hernan Diaz, traduit par Christine Barbaste\u00a0(Delcourt) &#8211; <em>Une maison parmi les arbres <\/em>de Julia Glass, traduit par Josette Chicheportiche (Gallmeister) &#8211; <em>Made in Trenton <\/em>de Tadzio Koelb, traduit par Marguerite Capelle\u00a0(Buchet-Chastel) &#8211; <em>Le Mars Club<\/em> de Rachel Kushner, traduit par Sylvie Schneiter (Stock) &#8211; <em>Les jours de silence<\/em> de Phillip Lewis, traduit par Anne-Laure Tissut (Belfond) &#8211; <em>Crapalachia<\/em> de Scott McClanahan, traduit par Th\u00e9ophile Sersiron (Cambourakis) &#8211; <em>Route 62<\/em> d\u2019Ivy Pochoda, traduit par Adela\u00efde Pralon\u00a0(Liana Levi) &#8211; <em>L\u2019Arbre-Monde<\/em> de Richard Powers, traduit par Serge Chauvin\u00a0(Le Cherche-Midi) Finalistes : <em>Une douce lueur de malveillance<\/em> de Dan Chaon, traduit par H\u00e9l\u00e8ne Fournier\u00a0(Albin Michel) &#8211; <em>Le Mars Club<\/em> de Rachel Kushner, traduit par Sylvie Schneiter (Stock) &#8211; <em>L\u2019Arbre-Monde<\/em> de Richard Powers, traduit par Serge Chauvin\u00a0(Le Cherche-Midi)<\/p>\n<p><strong><span style=\"color: #008000;\">Grand prix du roman de l\u2019Acad\u00e9mie fran\u00e7aise<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">\u00a0:\u00a0<\/span><i>L&rsquo;\u00e9t\u00e9 des quatre rois<\/i> de Camille Pascal<\/span><\/strong> (Plon)<br \/>\n1\u00e8re s\u00e9lection<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> : <\/span><em>Carnaval noir<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Metin Arditi (Grasset) &#8211; <\/span><em>Au grand lavoir<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Sophie Daull (Philippe Rey) &#8211; <\/span><em>La chance de leur vie<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> d&rsquo;Agn\u00e8s Desarthe (l&rsquo;Olivier) &#8211; <\/span><em>Les belles ambitieuses<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de St\u00e9phane Hoffmann (Albin Michel) &#8211; <\/span><em>Les cigognes sont immortelles<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> d&rsquo;Alain Mabanckou (Seuil) &#8211; <\/span><em>L&rsquo;\u00e8re des suspects<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Gilles Martin-Chauffier (Grasset) &#8211; <\/span><em>L&rsquo;\u00e9t\u00e9 des quatre rois<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Camille Pascal (Plon) &#8211; <\/span><em>L&rsquo;hiver du m\u00e9contentement<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> de Thomas B. Reverdy (Flammarion). <\/span>2\u00e8me s\u00e9lection<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">: <\/span><em>Les cigognes sont immortelles<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">\u00a0d&rsquo;<\/span><strong>Alain Mabanckou <\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Seuil) &#8211; <\/span><em>L&rsquo;\u00e8re des suspects<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">\u00a0de <\/span><strong>Gilles Martin-Chauffier <\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Grasset) &#8211; <\/span><em>L&rsquo;\u00e9t\u00e9 des quatre rois<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">\u00a0de <\/span><strong>Camille Pascal <\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Plon) &#8211; <\/span><em>L&rsquo;hiver du m\u00e9contentement<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">\u00a0de <\/span><strong>Thomas B. Reverdy<\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Flammarion).<\/span><\/p>\n<p><strong><span style=\"color: #008000;\">Prix Femina<\/span> <\/strong>:\u00a0<span style=\"color: #008000;\"><strong><i>Le lambeau<\/i><\/strong><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"><strong>\u00a0de Philippe Lan\u00e7on<\/strong><\/span> (Gallimard)<\/span><br \/>\n<span style=\"color: #008000;\">2\u00e8me\u00a0 s\u00e9lection<\/span> : <em>Arcadie <\/em>d&rsquo;Emmanuelle Bayamack-Tam (P.O.L) &#8211; <em>Trois enfants du tumulte<\/em> d&rsquo;Yves Bichet (Mercure de France) &#8211; <em>Je voudrais que la nuit me prenne<\/em> d&rsquo;Isabelle Desesquelles (Belfond) &#8211; <em>Platine<\/em> de R\u00e9gine Detambel (Actes Sud) &#8211; <em>Fr\u00e8re d&rsquo;\u00e2me<\/em> de David Diop (Seuil) &#8211; <em>Fran\u00e7ois, portrait d&rsquo;un absent <\/em>de Micha\u00ebl Ferrier (Gallimard) &#8211; <em>Idiotie<\/em> de Pierre Guyotat (Grasset) &#8211; <em>Le lambeau<\/em> de Philippe Lan\u00e7on (Gallimard) &#8211; <em>Par les \u00e9crans du monde<\/em> de Fanny Taillandier (Seuil) &#8211; <em>Roissy<\/em> de Tiffany Tavernier (Sabine Wespieser) <span style=\"color: #008000;\">Finalistes:<\/span> <em>Arcadie\u00a0<\/em>d&rsquo;Emmanuelle Bayamack-Tam (P.O.L) &#8211; <em>Trois enfants du tumulte<\/em>\u00a0d&rsquo;Yves Bichet (Mercure de France) &#8211; <em>Fr\u00e8re d&rsquo;\u00e2me<\/em>\u00a0de David Diop (Seuil) &#8211; <em>Fran\u00e7ois, portrait d&rsquo;un absent\u00a0<\/em>de Micha\u00ebl Ferrier (Gallimard) &#8211; <em>Idiotie<\/em>\u00a0de Pierre Guyotat (Grasset) &#8211; <em>Le lambeau<\/em>\u00a0de Philippe Lan\u00e7on (Gallimard) &#8211; <em>Roissy<\/em>\u00a0de Tiffany Tavernier (Sabine Wespieser)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Femina \u00e9tranger<\/strong><\/span> :\u00a0<span style=\"color: #008000;\"><strong><i>La neuvi\u00e8me heure<\/i><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">\u00a0d&rsquo;Alice McDermott <\/span><\/strong><\/span>\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(La Table ronde)<\/span><br \/>\n<span style=\"color: #008000;\">2\u00e8me selection<\/span> : <em>Je reste ici <\/em>de Marco Balzano traduit de l&rsquo;italien par Nathalie Bauer (Philippe Rey) &#8211; <em>Taxi cura\u00e7ao<\/em> de Stefan Brijs, traduit du n\u00e9erlandais par Daniel Cunin (H\u00e9lo\u00efse d&rsquo;Ormesson) &#8211; <em>Le monarque des ombres<\/em> de Javier Cercas, traduit de l&rsquo;espagnol par <span id=\"ctl00_mainBody_TitreLabel\">Aleksandar Grujicic, avec la collaboration de Karine Louesdon (Actes Sud) &#8211; <\/span><em>Le b\u00fbcher <\/em>de Gy\u00f6rgy Dragoman, traduit du hongrois par Jo\u00eblle Dufeuilly (Gallimard) &#8211; <em>La loi de la mer<\/em> de Davide Enia, traduit <span id=\"ctl00_mainBody_TitreLabel\">de l&rsquo;italien par Fran\u00e7oise Brun (Albin Michel) &#8211; <\/span><em>Le c\u0153ur converti <\/em>de Stefan Hertmans, traduit du n\u00e9erlandais par Isabelle Rosselin (Gallimard) &#8211; <em>La neuvi\u00e8me heure<\/em> d&rsquo;Alice McDermott traduit de l&rsquo;anglais par C\u00e9cile Arnaud (La Table ronde) &#8211; <em>Voyou <\/em>d&rsquo;Itamar Orlev, traduit de l&rsquo;h\u00e9breu par Laurence Sendrowicz (Seuil) &#8211; <em>My absolute darling<\/em> de Gabriel Tallent, traduit de l&rsquo;anglais par Laura Derajinski &#8211; Gallmeister) &#8211; <em>La marcheuse<\/em> de Samar Yazbek, traduit de l&rsquo;arabe par Khaled Osman (Stock) <span style=\"color: #008000;\">Finalistes<\/span> : <em>Le monarque des ombres<\/em>\u00a0de Javier Cercas, traduit de l&rsquo;espagnol par\u00a0<span id=\"ctl00_mainBody_TitreLabel\">Aleksandar Grujicic, avec la collaboration de Karine Louesdon (Actes Sud) &#8211; <\/span><em>La loi de la mer<\/em>\u00a0de Davide Enia, traduit\u00a0<span id=\"ctl00_mainBody_TitreLabel\">de l&rsquo;italien par Fran\u00e7oise Brun (Albin Michel) &#8211; <\/span><em>Le c\u0153ur converti\u00a0<\/em>de Stefan Hertmans, traduit du n\u00e9erlandais par Isabelle Rosselin (Gallimard) &#8211; <em>La neuvi\u00e8me heure<\/em>\u00a0d&rsquo;Alice McDermott traduit de l&rsquo;anglais par C\u00e9cile Arnaud (La Table ronde) &#8211; <em>Les livres de Jakob <\/em>d&rsquo;Olga Tokarczuk traduit <span id=\"ctl00_mainBody_TitreLabel\">du polonais par Maryla Laurent (Noir sur blanc) &#8211; <\/span><em>My absolute darling<\/em>\u00a0de Gabriel Tallent, traduit de l&rsquo;anglais par Laura Derajinski (Gallmeister) &#8211; <em>La marcheuse<\/em>\u00a0de Samar Yazbek, traduit de l&rsquo;arabe par Khaled Osman (Stock)<\/p>\n<p><strong><span style=\"color: #008000;\">Prix Femina Essai<\/span><\/strong> :\u00a0<strong><span style=\"color: #008000;\"><i>Gaspard de la nuit <\/i><\/span><\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><strong><span style=\"color: #008000;\">d&rsquo;Elisabeth de Fontenay<\/span><\/strong> (Stock)<\/span><br \/>\n<span style=\"color: #008000;\">s\u00e9lection<\/span> : <em>Histoire des cr\u00e9tins des Alpes<\/em> d&rsquo;Antoine de Baecque (La librairie Vuibert) &#8211; <em>La France des Belhoumi<\/em> de St\u00e9phane Baud (La D\u00e9couverte) &#8211; <em>Elsa Morante : une vie pour la litt\u00e9rature<\/em> de Ren\u00e9 de Ceccatty (Tallandier) &#8211; <em>La saga des intellectuels fran\u00e7ais<\/em> (deux volumes) de Fran\u00e7ois Dosse (Gallimard) &#8211; <em>Int\u00e9rieur jour <\/em>de Marc Dugain (Robert Laffont) &#8211; <em>Camille Claudel <\/em>de Colette Fellous (Fayard) &#8211; <em>Gaspard de la nuit <\/em>d&rsquo;Elisabeth de Fontenay (Stock) &#8211; <em>M\u00eame les monstres <\/em>de Thierry Ollouz (l&rsquo;Iconoclaste) &#8211; <em>Il nous faudrait des mots nouveaux <\/em>de Laurent Nunez (Cerf) &#8211; <em>La nostalgie des pays perdus<\/em> de Jean-Claude Perrier (Cerf) &#8211; <em>La citoyennet\u00e9 \u00e0 l&rsquo;\u00e9preuve : la d\u00e9mocratie et les juifs<\/em> de Dominique Schnapper (Gallimard) &#8211; <em>La ru\u00e9e vers l&rsquo;Europe : la jeune Afrique en route pour le Vieux Continent<\/em> de Stephen Smith (Grasset) &#8211; <em>Un temps pour ha\u00efr <\/em>de Marc Weitzmann (Grasset)\u00a0<span style=\"color: #008000;\">Finalistes<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> :\u00a0 <\/span><em>Histoire des cr\u00e9tins des Alpes<\/em>\u00a0d&rsquo;Antoine de Baecque (La librairie Vuibert) &#8211; <em>La France des Belhoumi<\/em>\u00a0de St\u00e9phane Beaud (La D\u00e9couverte) &#8211; <em>Int\u00e9rieur jour\u00a0<\/em>de Marc Dugain (Robert Laffont) &#8211; <em>Camille Claudel\u00a0<\/em>de Colette Fellous (Fayard) &#8211; <em>Gaspard de la nuit\u00a0<\/em>d&rsquo;Elisabeth de Fontenay (Stock) &#8211; <em>Il nous faudrait des mots nouveaux\u00a0<\/em>de Laurent Nunez (Cerf) &#8211; <em>La citoyennet\u00e9 \u00e0 l&rsquo;\u00e9preuve : la d\u00e9mocratie et les juifs<\/em>\u00a0de Dominique Schnapper (Gallimard) &#8211; <em>Un temps pour ha\u00efr\u00a0<\/em>de Marc Weitzmann (Grasset)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Renaudot 2018 Romans<\/strong> :\u00a0<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Val\u00e9rie Manteau <\/span><em>Le Sillon<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: bold; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">,<\/span><span style=\"text-align: left; color: #2f2925; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> (\u00e9ditions du Tripode)<\/span><\/span><br \/>\n<span style=\"color: #008000;\">1 \u00e8re s\u00e9lection<\/span> : <em>La grande id\u00e9e <\/em>d&rsquo;Anton Beraber (Gallimard) <em>Capitaine<\/em> d&rsquo;Adrien Bosc\u00a0(Stock) <em>La vraie vie<\/em> d&rsquo;Adeline Dieudonn\u00e9\u00a0(L&rsquo;Iconoclaste) <em>Fr\u00e8re d&rsquo;\u00e2me<\/em> de\u00a0David Diop (Seuil) <em>L&rsquo;\u00e8re des suspects<\/em> de\u00a0Gilles Martin-Chauffier (Grasset) <em>Fran\u00e7ois, portrait d&rsquo;un absent<\/em> de\u00a0Michael Ferrier\u00a0(Gallimard) <em>Federica Ber<\/em> de Mark Greene\u00a0(Grasset) <em>Les belles ambitieuses<\/em> de St\u00e9phane Hoffmann (Albin Michel) <em>Midi<\/em>\u00a0de Clo\u00e9 Korman (Seuil) <em>Bande de Fran\u00e7ais<\/em> de Marco Koskas\u00a0(Galligrassud) <em>Le lambeau<\/em> de Philippe Lan\u00e7on\u00a0(Gallimard) <em>Le sillon<\/em> de Val\u00e9rie Manteau\u00a0(Le Tripode) <em>L&rsquo;eau qui passe<\/em> de Frank Maubert\u00a0(Gallimard) <em>L&rsquo;\u00e2ge d&rsquo;or<\/em> de Diane Mazloum\u00a0(JC Latt\u00e8s) <em>Quitter le rang des assassins<\/em> de\u00a0Pierre Notte\u00a0(Gallimard) <em>Il est toi ce beau pays <\/em>de Jennifer Richard\u00a0(Albin Michel) <em>Tu t&rsquo;appelais Maria Schneider<\/em> de Vanessa Schneider (Grasset) &#8211; \u00a0<span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> :<\/span> <em>La grande id\u00e9e\u00a0<\/em>d\u2019Anton Beraber (Gallimard) &#8211; <em>La vraie vie<\/em>\u00a0d\u2019Adeline Dieudonn\u00e9\u00a0(L\u2019Iconoclaste) &#8211; <em>Fr\u00e8re d\u2019\u00e2me<\/em>\u00a0de\u00a0David Diop (Seuil) &#8211; <em>L\u2019\u00e8re des suspects<\/em>\u00a0de\u00a0Gilles Martin-Chauffier (Grasset) &#8211; <em>Les belles ambitieuses<\/em>\u00a0de St\u00e9phane Hoffmann (Albin Michel) &#8211; <em>Le lambeau<\/em>\u00a0de Philippe Lan\u00e7on\u00a0(Gallimard) &#8211; <em>L\u2019\u00e2ge d\u2019or<\/em>\u00a0de Diane Mazloum\u00a0(JC Latt\u00e8s) &#8211; <em>Quitter le rang des assassins<\/em>\u00a0de\u00a0Pierre Notte\u00a0(Gallimard) &#8211; <em>Tu t\u2019appelais Maria Schneider<\/em>\u00a0de Vanessa Schneider (Grasset) 2\u00e8me s\u00e9lection: <em>La grande id\u00e9e\u00a0<\/em>d&rsquo;Anton Beraber (Gallimard) &#8211; <em>La vraie vie<\/em>\u00a0d&rsquo;Adeline Dieudonn\u00e9\u00a0(L&rsquo;Iconoclaste) &#8211; <em>Fr\u00e8re d&rsquo;\u00e2me<\/em>\u00a0de\u00a0David Diop (Seuil) &#8211; <em>L&rsquo;\u00e8re des suspects<\/em>\u00a0de\u00a0Gilles Martin-Chauffier (Grasset) &#8211; <em>Les belles ambitieuses<\/em>\u00a0de St\u00e9phane Hoffmann (Albin Michel) &#8211; <em>Le lambeau<\/em>\u00a0de Philippe Lan\u00e7on\u00a0(Gallimard) &#8211; <em>L&rsquo;\u00e2ge d&rsquo;or<\/em>\u00a0de Diane Mazloum\u00a0(JC Latt\u00e8s) &#8211; <em>Quitter le rang des assassins<\/em>\u00a0de\u00a0Pierre Notte\u00a0(Gallimard) &#8211;\u00a0 <em>Tu t&rsquo;appelais Maria Schneider<\/em>\u00a0de Vanessa Schneider (Grasset) <span style=\"color: #008000;\">Finalistes<\/span>:<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Renaudot essais 2018<\/strong> :\u00a0<i>Avec toutes mes sympathies <\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"><strong>d&rsquo;Olivia de Lamberterie<\/strong><\/span>\u00a0(Stock) <\/span><\/span><br \/>\n<span style=\"color: #008000;\">1 \u00e8re s\u00e9lection<\/span>:\u00a0 <em>Le tour de France par deux enfants d&rsquo;aujourd&rsquo;hui<\/em> de Pierre Adrian et Philibert Humm\u00a0(Equateurs) &#8211; <em>Une famille corse<\/em> de\u00a0Robert Colonna d&rsquo;Istria\u00a0(Plon) &#8211; <em>Idiotie<\/em> de Pierre Guyotat\u00a0(Grasset) &#8211; <em>Avec toutes mes sympathies <\/em>d&rsquo;Olivia de Lamberterie\u00a0(Stock) <em>Ce qui n&rsquo;a pas de prix<\/em> d&rsquo;Annie Lebrun\u00a0(Stock) &#8211; <em>En d\u00e9rivant avec Ulysse <\/em>de Jean-Paul Mari\u00a0(JC Latt\u00e8s) &#8211; <em>Mod\u00e8le vivant <\/em>de\u00a0Joann Sfar\u00a0(Albin Michel) \u00a0<span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> :<\/span> <em>Une famille corse<\/em>\u00a0de\u00a0Robert Colonna d\u2019Istria\u00a0(Plon) &#8211; <em>Avec toutes mes sympathies\u00a0<\/em>d\u2019Olivia de Lamberterie\u00a0(Stock) &#8211; <em>Sand \u00e0 Nohan<\/em>\u00a0de\u00a0Michelle Perrot\u00a0(Seuil) &#8211; <em>Une femme invisible<\/em>\u00a0de\u00a0Nathalie Pi\u00e9gay(Rocher) &#8211; <em>Mod\u00e8le vivant<\/em>\u00a0de\u00a0Joann Sfar(Albin Michel) &#8211; <em>Un temps pour ha\u00efr<\/em>\u00a0de Marc Weitzmann\u00a0(Grasset) &#8211;\u00a0<span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span> ; <em>Une famille corse<\/em>\u00a0de\u00a0Robert Colonna d&rsquo;Istria\u00a0(Plon) &#8211; <em>Avec toutes mes sympathies\u00a0<\/em>d&rsquo;Olivia de Lamberterie\u00a0(Stock) &#8211; <em>Sand \u00e0 Nohan<\/em> de\u00a0Michelle Perrot\u00a0(Seuil) &#8211; <em>Une femme invisible<\/em> de\u00a0Nathalie Pi\u00e9gay\u00a0(Rocher) &#8211; <em>Mod\u00e8le vivant<\/em> de\u00a0Joann Sfar\u00a0(Albin Michel) &#8211; <em>Un temps pour ha\u00efr<\/em>\u00a0de Marc Weitzmann\u00a0(Grasset) <span style=\"color: #008000;\">Finalistes<\/span>:<\/p>\n<p><strong><span style=\"color: #008000;\">Prix Renaudot Poche<\/span><\/strong> :\u00a0<span style=\"color: #008000;\">Dieu, Allah, moi et les autres de\u00a0 Salim Bachi<span style=\"color: #001000;\"> (<\/span><\/span>Gallimard)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix\u00a0Renaudot des lyc\u00e9ens<\/strong><\/span>: <span style=\"color: #008000;\">6 finalistes<\/span> : <em>La vraie vie<\/em>, d\u2019Adeline Dieudonn\u00e9,\u00a0<em>Fr\u00e8re d\u2019\u00e2me<\/em>, de David Diop,\u00a0<em>Frederica Ber<\/em>, de Mark Greene,\u00a0<em>Le Lambeau<\/em>, de Philippe Lan\u00e7on,\u00a0<em>Le Sillon<\/em>, de Val\u00e9rie Manteau\u00a0<em>L\u2019\u00c2ge d\u2019or,<\/em> de Diane Mazloum.<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Goncourt 2018<\/strong>\u00a0 :\u00a0<strong><i>Leurs enfants apr\u00e8s eux\u00a0<\/i><\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><strong><span style=\"color: #339966;\">de Nicolas Mathieu<\/span> <\/strong>(Actes Sud)<\/span><\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> : <em>La v\u00e9rit\u00e9 sort de la bouche du cheval<\/em>\u00a0de Meryem Alaoui (Gallimard) &#8211; <i>Le malheur du bas <\/i>d&rsquo;In\u00e8s Bayard<i> <\/i>(Albin Michel) &#8211; <em>Quand Dieu boxait en amateur <\/em>de Guy Boley (Grasset) &#8211; <i>\u00c7a raconte Sarah<\/i> de Pauline Delabroy-Allard\u00a0(Minuit) &#8211; <em>La vraie vie<\/em>\u00a0d&rsquo;Adeline Dieudonn\u00e9 (l&rsquo;Iconoclaste) &#8211; <em>Fr\u00e8re d&rsquo;\u00e2me<\/em>\u00a0de David Diop (Seuil) &#8211; <i>La r\u00e9volte<\/i> de Clara Dupont-Monod\u00a0(Stock) &#8211; <i>Dix-sept ans\u00a0<\/i>d&rsquo;Eric Fottorino\u00a0(Gallimard) &#8211; <em>Ma\u00eetres et esclaves<\/em>\u00a0de Paul Greveillac (Gallimard) &#8211;<em>Leurs enfants apr\u00e8s eux\u00a0<\/em>de Nicolas Mathieu (Actes Sud)-<i>L&rsquo;\u00e8re des suspects<\/i>\u00a0de Gilles Martin-Chauffier (Grasset) <em>L&rsquo;\u00e9vangile selon Youri<\/em>\u00a0de Tobie Nathan (Stock) <em>Quatre-vingt-dix secondes\u00a0<\/em>de Daniel Picouly (Albin Michel) <em>L&rsquo;hiver du m\u00e9contentement<\/em>\u00a0de Thomas B. Reverdy\u00a0(Flammarion) <em>H\u00f4tel Waldheim<\/em>\u00a0de Fran\u00e7ois Vallejo\u00a0(Viviane Hamy) &#8211; <span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span> :\u00a0Nicolas Mathieu\u00a0pour <em>Leurs Enfants apr\u00e8s eux &#8211; <\/em>Daniel Picouly pour <em>Quatre-vingt-dix secondes &#8211; <\/em>Pauline Delabroy-Allard<span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'MillerbannerRoman'; font-size: 20px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 32px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">pour<\/span><em> Ca raconte Sarah &#8211; <\/em>David Diop\u00a0pour <em>Fr\u00e8re d\u2019\u00e2me &#8211; <\/em>Paul Greveillac\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #000000; font-family: 'MillerbannerRoman'; font-size: 20px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 32px; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">pour <\/span><em>Ma\u00eetres et esclaves &#8211; <\/em>Tobie Nathan\u00a0pour <em>L\u2019\u00c9vangile selon Youri &#8211; <\/em>Thomas B. Reverdy\u00a0pour <em>L\u2019hiver du m\u00e9contentement &#8211;<\/em> Fran\u00e7ois Vallejo\u00a0pour <em>H\u00f4tel Waldheim\u00a0 &#8211; <\/em><span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span><em> : <\/em><em>\u00c7a raconte Sarah<\/em> de Pauline Delabroy-Allard\u00a0(Minuit) &#8211; <em>Fr\u00e8re d&rsquo;\u00e2me<\/em>\u00a0de David Diop (Seuil) &#8211; <em>Ma\u00eetres et esclaves<\/em>\u00a0de Paul Greveillac (Gallimard) &#8211; <em>Leurs enfants apr\u00e8s eux\u00a0<\/em>de Nicolas Mathieu (Actes Sud) &#8211; <em>L&rsquo;\u00e9vangile selon Youri<\/em>\u00a0de Tobie Nathan (Stock) &#8211; <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=7275\"><em>Quatre-vingt-dix secondes\u00a0<\/em>de Daniel Picouly<\/a> (Albin Michel) &#8211; <em>L&rsquo;hiver du m\u00e9contentement<\/em>\u00a0de Thomas B. Reverdy\u00a0(Flammarion) &#8211; <a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=7246\"><em>H\u00f4tel Waldheim<\/em>\u00a0de Fran\u00e7ois Vallejo\u00a0<\/a>(Viviane Hamy) &#8211; <span style=\"color: #008000;\">Finalistes<\/span>: <em>Fr\u00e8re d&rsquo;\u00e2me<\/em>\u00a0de David Diop (Seuil) &#8211; <em>Ma\u00eetres et esclaves<\/em>\u00a0de Paul Greveillac (Gallimard) &#8211; <em>Leurs enfants apr\u00e8s eux\u00a0<\/em>de Nicolas Mathieu (Actes Sud) &#8211; <em>L&rsquo;hiver du m\u00e9contentement<\/em>\u00a0de Thomas B. Reverdy\u00a0(Flammarion)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Goncourt des lyc\u00e9ens<\/strong><\/span> : <span style=\"color: #008000;\">5 finalistes<\/span>: <strong>Meryem Alaoui<\/strong>, pour <em>La V\u00e9rit\u00e9 sort de la Bouche du cheval <\/em>(Gallimard) &#8211; <strong>In\u00e8s Bayard<\/strong>, pour <em>Le Malheur du bas <\/em>(Albin Michel) &#8211; <strong>Pauline Delabroy-Allard<\/strong>, pour <em>\u04aaa<\/em> <em>raconte Sarah <\/em>(Minuit) &#8211; <strong>Adeline Dieudonn\u00e9<\/strong>, pour <em>La Vraie Vie <\/em>(L&rsquo;Iconoclaste) &#8211; <strong>David Diop<\/strong>, pour <em>Fr\u00e8re d&rsquo;\u00e2me <\/em>(Seuil)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix M\u00e9dicis<\/strong> :\u00a0<strong><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Pierre Guyotat, <\/span><\/strong><strong><em>Idiotie<\/em><\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Grasset)<\/span><\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection:<\/span> Pierre Guyotat, <em>Idiotie<\/em> (Grasset) &#8211; Emmanuelle Bayamack-Tam, <em>Arcadie<\/em> (POL) &#8211; David Diop, <em>Fr\u00e8re d\u2019\u00e2me<\/em> (Seuil) &#8211; Nina Bouraoui, <em>Tous les hommes naturellement d\u00e9sirent savoir<\/em> (JC Latt\u00e8s) &#8211; Nicolas Mathieu, <em>Leurs enfants apr\u00e8s eux<\/em> (Actes Sud) &#8211; Sophie Daull, <em>Au grand lavoir<\/em> (Philippe Rey) &#8211; Fanny Taillandier, <em>Par les \u00e9crans du monde<\/em> (Seuil) &#8211; Franck Maubert, <em>L\u2019eau qui passe<\/em> (Gallimard) &#8211; Carole Fives, <em>Tenir jusqu\u2019\u00e0 l\u2019aube<\/em> (Gallimard) &#8211; Philippe Lan\u00e7on, <em>Le Lambeau<\/em> (Gallimard) &#8211; Pauline Delabroy-Allard, <em>\u00c7a raconte Sarah<\/em> (Minuit) &#8211; Catherine Poulain, <em>Le C\u0153ur blanc <\/em>(L\u2019Olivier)\u00a0<span style=\"color: #008000;\">2\u00e8me s\u00e9lection : <\/span>Emmanuelle Bayamack-Tam,\u00a0<em>Arcadie<\/em>\u00a0(POL) &#8211; Nina Bouraoui,\u00a0<em>Tous les hommes naturellement d\u00e9sirent savoir<\/em>\u00a0(JC Latt\u00e8s) &#8211; Pauline Delabroy-Allard,\u00a0<em>\u00c7a raconte Sarah <\/em>(Minuit) &#8211; David Diop, <em>Fr\u00e8re d&rsquo;\u00e2me<\/em> (Seuil) &#8211; Pierre Guyotat, <em>Idiotie<\/em> (Grasset) &#8211; Franck Maubert,\u00a0<em>L\u2019eau qui passe<\/em>\u00a0(Gallimard) &#8211; Fanny Taillandier,\u00a0<em>Par les \u00e9crans du monde<\/em>\u00a0(Seuil)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix M\u00e9dicis \u00e9tranger<\/strong> : \u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><strong><span style=\"color: #008000;\"> Rachel Kushner<\/span><\/strong>\u00a0<\/span><em><strong>Le Mars Club<\/strong>,\u00a0<\/em><span id=\"ctl00_mainBody_TitreLabel\" style=\"color: #000000;\">traduit de l&rsquo;anglais par Sylvie Schneiter\u00a0<\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Stock)<\/span><\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> : Selahattin Demirtas <em>L\u2019Aurore<\/em>, <span id=\"ctl00_mainBody_TitreLabel\">traduit du turc par Julien Lapeyre de Cabanes<\/span> (\u00e9ditions Emmanuelle Collas) &#8211; Zadie Smith <em>Swing Time,<\/em> <span id=\"ctl00_mainBody_TitreLabel\">traduit de l&rsquo;anglais par Emmanuelle et Philippe Aronson <\/span>(Gallimard) &#8211; Javier Cercas <em>Le Monarque des ombres, <\/em><span id=\"ctl00_mainBody_TitreLabel\">traduit de l&rsquo;espagnol par Aleksandar Grujicic, avec la collaboration de Karine Louesdon <\/span>(Actes Sud) &#8211; Rachel Kushner <em>Le Mars Club, <\/em><span id=\"ctl00_mainBody_TitreLabel\">traduit de l&rsquo;anglais par Sylvie Schneiter <\/span>(Stock) &#8211; Jon Kalman Stefansson <em>Asta,<\/em> <span id=\"ctl00_mainBody_TitreLabel\">traduit de l&rsquo;islandais par Eric Boury<\/span> (Grasset) &#8211; Horacio Castellanos Moya <em>Moronga<\/em>,\u00a0traduit par Ren\u00e9 Solis (M\u00e9taill\u00e9) &#8211; Peter Stamm <em>La douce indiff\u00e9rence du monde<\/em>, traduit par Pierre Deshusses (Bourgois) &#8211; Zoe Valdes <em>D\u00e9sir\u00e9e Fe<\/em>, traduit par Aymeric Rollet (Arthaud) &#8211; Brad Watson <em>Miss Jane<\/em>, traduit par Marc Amfreville (Grasset) &#8211; Yiyun Li <em>Cher ami, de ma vie je vous \u00e9cris dans votre vie<\/em>, traduit par Cl\u00e9ment Baude (Belfond)\u00a0<span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span> : Horacio Castellanos Moya\u00a0<em>Moronga<\/em>,\u00a0traduit par Ren\u00e9 Solis (M\u00e9taill\u00e9) &#8211; Selahattin Demirtas\u00a0<em>L\u2019Aurore<\/em>,\u00a0<span id=\"ctl00_mainBody_TitreLabel\">traduit du turc par Julien Lapeyre de Cabanes<\/span>\u00a0(\u00e9ditions Emmanuelle Collas) &#8211; Rachel Kushner\u00a0<em>Le Mars Club,\u00a0<\/em><span id=\"ctl00_mainBody_TitreLabel\">traduit de l&rsquo;anglais par Sylvie Schneiter\u00a0<\/span>(Stock) &#8211; Yiyun Li\u00a0<em>Cher ami, de ma vie je vous \u00e9cris dans votre vie<\/em>, traduit par Cl\u00e9ment Baude (Belfond) &#8211; Zadie Smith\u00a0<em>Swing Time,<\/em>\u00a0<span id=\"ctl00_mainBody_TitreLabel\">traduit de l&rsquo;anglais par Emmanuelle et Philippe Aronson\u00a0<\/span>(Gallimard) &#8211; Peter Stamm\u00a0<em>La douce indiff\u00e9rence du monde<\/em>, traduit par Pierre Deshusses (Bourgois)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix M\u00e9dicis essais<\/strong><\/span> :\u00a0<strong><span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Stefano Massini, <\/span><em>Les Fr\u00e8res Lehman<\/em><\/span><\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><strong><span style=\"color: #008000;\">\u00a0<\/span><\/strong>(Globe)<\/span><br \/>\n<span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span>\u00a0: Peter Ackroyd<em>,<\/em>\u00a0<em>Queer city (<\/em>Philippe Rey) &#8211; Bernard Cerquiglini, <em>L\u2019Invention de Nithard\u00a0<\/em>(Minuit) &#8211; Elisabeth de Fontenay, <em>Gaspard de la nuit <\/em>(Stock) &#8211; Annie Lebrun, <em>Ce qui n\u2019a pas de prix<\/em>\u00a0(Stock) &#8211; Stefano Massini, <em>Les Fr\u00e8res Lehman<\/em>\u00a0(Globe) &#8211; Laure Murat, <em>Une r\u00e9volution sexuelle\u00a0? R\u00e9flexions sur l&rsquo;apr\u00e8s-Weinstein<\/em>\u00a0(Stock) &#8211; J\u00e9rome Prieur, <em>La moustache du soldat inconnu<\/em>\u00a0(Seuil) &#8211; Philippe Vasset, <em>Une vie en l\u2019air\u00a0<\/em>(Fayard) &#8211; Marc Weitzmann, <em>Un temps pour ha\u00efr<\/em>\u00a0(Grasset)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Jean Giono 2018<\/strong><\/span>: <em><span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\"><strong>Paul Greveillac<\/strong> pour <\/span>Mai\u0302tres et esclaves<\/span><\/em><span style=\"display: inline !important; float: none; background-color: #ffffff; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Gallimard)<\/span><br \/>\n<span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span> : Daniel Picouly pour <em>Quatre-vingt-dix secondes <\/em>(Albin Michel) &#8211; Paul Greveillac pour <em>Mai\u0302tres et esclaves<\/em> (Gallimard) &#8211; Serge Joncour pour<em> Chien-Loup<\/em> (Flammarion) &#8211; Thomas B. Reverdy pour<em> L\u2019hiver du me\u0301contentement <\/em>(Flammarion) &#8211; Catherine Poulain pour\u00a0<em>Le c\u0153ur blanc<\/em> (L\u2019Olivier)<\/p>\n<p><strong><span style=\"color: #008000;\">Prix du livre romantique 2018<\/span><\/strong> : <em><span style=\"color: #008000;\">\u00ab\u00a0La vall\u00e9e des oranges\u00a0\u00bb de <strong>B\u00e9atrice Courtot<\/strong><\/span><\/em>, (Charleston)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix D\u00e9cembre<\/strong> 2018 :\u00a0<i>Fran\u00e7ois, portrait d\u2019un absent <\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">de <\/span><strong>Micha\u00ebl Ferrier <\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Gallimard)<\/span><\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> : <em>Depuis la terre, regarder les naufrages <\/em>de <strong>Jeanne Labrune<\/strong> (Grasset) &#8211; <em>En attendant la fin du monde <\/em>de <strong>Baudouin de Bodinat<\/strong> (Fario) &#8211; <em>Fran\u00e7ois, portrait d\u2019un absent <\/em>de <strong>Micha\u00ebl Ferrier <\/strong>(Gallimard) &#8211; <em>Un \u00e9t\u00e9 v\u00e9nitien<\/em> de <strong>Francesco Rapazzini<\/strong> (Bartillat) &#8211; <em>Moab : \u00e9pop\u00e9e en 22 chants<\/em>\u00a0de <strong>Jean-Yves Jouannais<\/strong> (Grasset) &#8211; <em>Pense aux pierres sous tes pas<\/em> d\u2019<strong>Antoine Wauters<\/strong> (Verdier) &#8211; <em>Federica Ber<\/em> de <strong>Mark Green <\/strong>(Grasset) &#8211; <em>Mod\u00e8le vivant<\/em> de <strong>Joann Sfar<\/strong> (Albin Michel) &#8211; <em>\u00c7a raconte Sarah<\/em> de <strong>Pauline Delabroy-Allard <\/strong>(Minuit) &#8211; <em>Gaspard de la nuit<\/em> d\u2019<strong>Elisabeth de Fontenay<\/strong> (Stock) &#8211; <em>La classe verte<\/em> de <strong>Benjamin Pitchal <\/strong>(Gallimard) &#8211; <em>En guerre<\/em> de <strong>Fran\u00e7ois B\u00e9gaudeau <\/strong>(Verticales) &#8211; <em>Le c\u0153ur blanc<\/em> de <strong>Catherine Poulain<\/strong> (L&rsquo;Olivier) <span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span> : <em>Gaspard de la nuit <\/em>d&rsquo;Elisabeth de Fontenay (Stock) &#8211; <em>Fran\u00e7ois, portrait d&rsquo;un absent<\/em> de Micha\u00ebl Ferrier (Gallimard) &#8211; <em>Un \u00e9t\u00e9 v\u00e9nitien<\/em> de Francesco Rapazzini (Bartillat)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Premier roman 2018<\/strong><\/span>:\u00a0 <span style=\"text-align: left; color: #800000; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"><span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Cl\u00e9lia Renucci,\u00a0<\/span><em>Concours pour le paradis<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, Albin Michel <\/span><\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> :\u00a0Meryem Alaoui,\u00a0<em>La v\u00e9rit\u00e9 sort de la bouche du cheval<\/em>, Gallimard &#8211;\u00a0In\u00e8s Bayard,\u00a0<em>Le malheur du bas<\/em>, Albin Michel &#8211;\u00a0Anton Beraber,\u00a0<em>La grande Id\u00e9e<\/em>, Gallimard &#8211;\u00a0Camille Brunel,\u00a0<em>La gu\u00e9rilla des animaux<\/em>, Alma &#8211;\u00a0Estelle-Sarah Bulle,\u00a0<em>L\u00e0 o\u00f9 les chiens aboient par la queue<\/em>, Liana Levi &#8211;\u00a0Julien Cabocel,\u00a0<em>Bazaar,<\/em>\u00a0L&rsquo;Iconoclaste &#8211;\u00a0Pauline Delabroy-Allard, <span class=\"st\"><em>\u00c7<\/em><\/span><em>a raconte Sarah<\/em>, Minuit &#8211;\u00a0Hector Mathis,\u00a0<em>K.O.<\/em>,\u00a0Buchet-Chastel. &#8211;\u00a0Cl\u00e9lia Renucci,\u00a0<em>Concours pour le paradis<\/em>, Albin Michel &#8211;\u00a0Marie Rouzin<em>, Circulus<\/em>, Serge Safran<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Premier roman\u00a0\u00e9tranger\u00a02018<\/strong><\/span> :\u00a0<span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Shih-Li Kow,\u00a0<\/span><em>La somme de nos folies<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, Zulma<\/span><\/p>\n<div><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> :\u00a0<\/span>Namdar,\u00a0<em>La maison de ruines<\/em>, Belfond &#8211;\u00a0Shih-Li Kow,\u00a0<em>La somme de nos folies<\/em>, Zulma &#8211;\u00a0Lisa Halliday,\u00a0<em>Asym\u00e9trie<\/em>, Gallimard &#8211;\u00a0Taszio Koelb<em>, Made in Trenton<\/em>, Buchet-Chastel &#8211;\u00a0Itamar Orlev,\u00a0<em>Voyou<\/em>, Seuil<\/div>\n<p><span style=\"color: #008000;\"><strong>Prix Interalli\u00e9<\/strong><\/span> :\u00a0<span style=\"color: #008000;\"><i>L\u2019hiver du m\u00e9contentement<\/i><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"> de Thomas B. Reverdy (<\/span>Flammarion)<\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> : <em>Nuit sur la neige<\/em> de Laurence Coss\u00e9 (Gallimard) &#8211; <em>Fr\u00e8re d\u2019\u00e2me<\/em>\u00a0David Diop (Seuil) &#8211; <em>Ma\u00eetres et esclaves<\/em> de\u00a0Paul Gr\u00e9veillac (Gallimard) &#8211; <em>Les belles ambitieuses<\/em> de St\u00e9phane Hoffmann (Albin Michel) &#8211; <em>Avec toutes mes sympathies<\/em> d&rsquo;Olivia de Lamberterie (Stock) &#8211; <em>Le lambeau<\/em> de\u00a0Philippe Lanc\u0327on (Gallimard) &#8211; <em>Harry et Franz <\/em>d&rsquo;Alexandre Najjar (Plon) &#8211; <em>L\u2019\u00e9t\u00e9 des quatre rois<\/em> de Camille Pascal (Plon) &#8211; <em>L\u2019hiver du m\u00e9contentement<\/em> de Thomas B. Reverdy (Flammarion) &#8211; <em>Le train d\u2019Erlingen<\/em> de Boualem Sansal (Gallimard) <span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span> : <em>Nuit sur la neige<\/em> de Laurence Coss\u00e9 (Gallimard) &#8211; <em>Ma\u00eetres et esclaves<\/em> de\u00a0Paul Gr\u00e9veillac (Gallimard) &#8211; <em>Les belles ambitieuses<\/em> de St\u00e9phane Hoffmann (Albin Michel) &#8211; <em>Le lambeau<\/em> de\u00a0Philippe Lanc\u0327on (Gallimard) &#8211; <em>L\u2019\u00e9t\u00e9 des quatre rois<\/em> de Camille Pascal (Plon) &#8211; <em>L\u2019hiver du m\u00e9contentement<\/em> de Thomas B. Reverdy (Flammarion)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de Flore<\/strong><\/span> <span style=\"color: #008000;\">2018<\/span> :\u00a0<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">Anatomie de l\u2019amant de ma femme de Rapha\u00ebl Rupert<\/span> (L\u2019Arbre vengeur ) <\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> :\u00a0La v\u00e9rit\u00e9 sort de la bouche du cheval de\u00a0Meryem Alaoui\u00a0(Gallimard) &#8211; Le malheur du bas d\u2019In\u00e8s Bayard\u00a0(Albin Michel) &#8211; Arcadie d\u2019Emmanuelle Bayamak-Tam (P.O.L) &#8211; Reviens de\u00a0Samuel Benchetrit\u00a0(Grasset) &#8211; Techno freaks de\u00a0Morgane Caussarieu\u00a0(Serpent \u00e0 plumes) &#8211; Ma vie de Saint de\u00a0Fran\u00e7ois-Xavier Delmas (Anne Carri\u00e8re) &#8211; Babylone Express de\u00a0Mathilde-Marie de Malfil\u00e2tre (Le Dilettante) &#8211; Leurs enfants apr\u00e8s eux de\u00a0Nicolas Mathieu (Actes Sud) &#8211; Sujet inconnu de Loulou Robert (Julliard) &#8211; Anatomie de l\u2019amant de ma femme de Rapha\u00ebl Rupert (L\u2019Arbre vengeur ) <span style=\"color: #008000;\">2\u00e8me s\u00e9lection<\/span> : <em>Arcadie,<\/em> d&rsquo;<strong>Emmanuelle Bayamack-Tam<\/strong> (P.O.L) &#8211; <em>Babylone Express<\/em>, de\u00a0<strong>Mathilde-Marie de Malfil\u00e2tre<\/strong> (Le Dilettante) &#8211; <em>Leurs enfants apr\u00e8s eux<\/em>, de\u00a0<strong>Nicolas Mathieu<\/strong> (Actes Sud) &#8211; <em>Anatomie de l&rsquo;amant de ma femme, <\/em>de <strong>Rapha\u00ebl Rupert<\/strong> (L&rsquo;Arbre vengeur).<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Georges Brassens<\/strong> 2018<\/span> :<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Wepler-Fondation La Poste 2018<\/strong><\/span> :<span style=\"color: #800000;\">\u00a0<span style=\"text-align: left; color: #008000; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Bertrand Schefer, <\/span><i><span style=\"color: #008000;\">S\u00e9rie noire<\/span>, <\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">P.O.L<\/span><\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> : Emmanuelle Bayamack-Tam, <i>Arcadie, <\/i>P.O.L &#8211; Camille Bordas, <i>Isidore et les autres<\/i>, Inculte &#8211; Sophie Divry, <i>Trois fois la fin du monde<\/i>, Noir sur Blanc\/Notabilia &#8211; Jean-Michel Espitallier, <i>La premi\u00e8re ann\u00e9e, <\/i>Inculte &#8211; Micha\u00ebl Ferrier, <i>Fran\u00e7ois, portrait d\u2019un absent<\/i>, Gallimard\/L\u2019Infini &#8211; Carole Fives, <i>Tenir jusqu\u2019\u00e0 l\u2019aube<\/i>, Gallimard\/L\u2019Arbal\u00e8te &#8211; Mark Greene, <i>Frederica Ber<\/i>, Grasset &#8211; Michel Jullien, <i>L\u2019\u00cele aux troncs<\/i>, Verdier &#8211; Nathalie L\u00e9ger, <i>La Robe blanche, <\/i>P.O.L &#8211; Val\u00e9rie Manteau, <i>Le Sillon, <\/i>Le Tripode &#8211; Bertrand Schefer, <i>S\u00e9rie noire, <\/i>P.O.L &#8211; Fanny Tallandier, <i>Par les \u00e9crans du monde<\/i>, Seuil &#8211; Philippe Vasset, <i>Une Vie en l\u2019air<\/i>, Fayard<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du Style 2018\u00a0 : <span style=\"color: #008000;\"><em>\u00c7a raconte Sarah <\/em><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\">de Pauline Delabroy-Allard<span style=\"color: #000000;\"> (Minuit)<\/span><\/span><\/span><\/strong><\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> : <em>Le Malheur du bas <\/em>d\u2019In\u00e8s Bayard (Albin Michel) &#8211; <em>La Belle de Casa <\/em>d\u2019In Koli Jean Bofane (Actes Sud) &#8211; <em>Capitaine <\/em>d\u2019Adrien Bosc (Stock) &#8211; <em>L\u00e0 o\u00f9 les chiens aboient par la queue <\/em>d\u2019Estelle-Sarah Bulle (Liana Levi) &#8211; <em>\u00c7a raconte Sarah <\/em>de Pauline Delabroy-Allard (Minuit) &#8211; <em>La Vraie vie <\/em>d\u2019Adeline Dieudonn\u00e9 (L\u2019Iconoclaste) &#8211; <em>Fr\u00e8re\u00a0d\u2019\u00e2me<\/em> de David Diop (Seuil) &#8211; <em>Helena <\/em>de J\u00e9r\u00e9my Fel (Rivages) &#8211; <em>Depuis la terre, regarder les naufrages <\/em>de Jeanne Labrune (Grasset) &#8211; <em>K.O. <\/em>de Hector Mathis (Buchet Chastel) &#8211; <em>L&rsquo;Homme qui croyait en sa chance<\/em> de Marc Menant (Ramsay) &#8211; <em>Le Roi chocolat<\/em> de Thierry Montoriol (Ga\u00efa)\u00a0 &#8211; <em>Les Exil\u00e9s meurent aussi d\u2019amour <\/em>d&rsquo;Abnousse Shalmani (Grasset) &#8211; <em>Une vie en l\u2019air <\/em>de Philippe Vasset (Fayard) <span style=\"color: #339966;\">2\u00e8me s\u00e9lection<\/span>:\u00a0Adrien Bosc, <em>Capitaine<\/em>, Stock &#8211; Estelle-Sarah Bulle, <em>L\u00e0 o\u00f9 les chiens aboient par la queue<\/em>, Liana Levi &#8211; Adeline Dieudonn\u00e9, <em>La Vraie vie<\/em>, L&rsquo;Iconoclaste &#8211; David Diop, <em>Fr\u00e8res d&rsquo;\u00e2me<\/em>, Seuil &#8211; J\u00e9r\u00e9my Fel, <em>Helena<\/em>, Rivages &#8211; Jeanne Labrune, <em>Depuis la terre, regarder les naufrages<\/em>, Grasset &#8211; Philippe Vasset, <em>Une vie en l&rsquo;air<\/em>, Fayard<\/p>\n<p><strong><span style=\"color: #008000;\">Prix R\u00e9v\u00e9lation de la Soci\u00e9t\u00e9 des gens des lettres 2018<\/span> :\u00a0<em><span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\"><strong>Maria POURCHET<\/strong>, <\/span><\/span><\/em><\/strong><em><span style=\"color: #008000;\">Toutes les femmes sauf une<\/span><\/em><strong><span style=\"display: inline !important; float: none; background-color: #ffffff; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, (Pauvert) &#8211;\u00a0<span style=\"color: #008000;\"><em><strong>Laurine ROUX<\/strong><\/em>, <\/span><\/span><\/strong><span style=\"color: #008000;\"><em>Une immense sensation de calme<\/em><\/span><strong><span style=\"display: inline !important; float: none; background-color: #ffffff; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, (les \u00e9ditions du sonneur)<\/span><\/strong><strong><br \/>\n<\/strong><span style=\"color: #008000;\"><strong>La premi\u00e8re s\u00e9lection de fiction<\/strong><\/span><strong> :\u00a0<\/strong>Meryem ALAOUI, <em>La v\u00e9rit\u00e9 sort de la bouche du cheval<\/em>, Gallimard &#8211;\u00a0Boris BERGMANN, <em>Nage libre<\/em>, Calmann-L\u00e9vy\u00a0 &#8211;\u00a0In Koli Jean BOFANE, <em>La Belle de Casa<\/em>, Actes Sud &#8211;\u00a0CALI, <em>Seuls les enfants savent aimer<\/em>, Cherche-Midi &#8211; Manu CAUSSE, <em>Oublier mon p\u00e8re<\/em>, Deno\u00ebl &#8211;\u00a0Philippe DE JONCKHEERE, <em>Raffut<\/em>, Inculte &#8211;\u00a0David DIOP, <em>Fr\u00e8re d\u2019\u00e2me<\/em>, Seuil \u00a0\u00a0 &#8211;\u00a0J\u00e9r\u00e9mie GINDRE<em>, Pas d\u2019\u00e9clairs sans tonnerre<\/em>, Zo\u00e9 \u00a0 &#8211;\u00a0Aliona GLOUKHOVA, <em>Dans l\u2019eau je suis chez moi, <\/em>Verticales &#8211;\u00a0C\u00e9dric GRAS, <em>Saisons du voyage<\/em>, Stock \u00a0 &#8211;\u00a0Vincent \u00a0HEIN, <em>Kwa\u00ef<\/em>, Ph\u00e9bus\u00a0 &#8211;\u00a0Violaine \u00a0HUISMAN, <em>Fugitive parce que reine<\/em>, Gallimard -Alain JASPARD, <em>Pleurer des rivi\u00e8res,<\/em> \u00e9ditions H\u00e9lo\u00efse d\u2019Ormesson &#8211;\u00a0<a href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=7226\">Julia KERNINON, <em>Ma d\u00e9votion<\/em><\/a>,\u00a0 Le Rouergue\u00a0 &#8211;\u00a0Clo\u00e9 \u00a0KORMAN, <em>Midi<\/em>, Seuil &#8211;\u00a0Gilles MARCHAND, <em>Un funambule sur le sable<\/em>, Aux Forges de Vulcain &#8211;\u00a0Jean-Baptiste NAUDET<em>, La blessure<\/em>, L\u2019Iconoclaste \u00a0 &#8211;\u00a0Maria POURCHET, <em>Toutes les femmes sauf une<\/em>, Pauvert\u00a0 &#8211;\u00a0Laurine ROUX, <em>Une immense sensation de calme<\/em>, les \u00e9ditions du sonneur\u00a0 &#8211;\u00a0Isabelle SIVAN, <em>Dankala<\/em>, Serge Safran \u00e9diteur\u00a0 &#8211; Ludovic-Hermann WANDA, <em>Prisons<\/em>, L\u2019antilope &#8211;\u00a0Audr\u00e9e WILHELMY, <em>Le Corps des b\u00eates<\/em>, Grasset<\/p>\n<p><span style=\"color: #008000;\"><strong>Le palmar\u00e8s de Lire en poche 2018<\/strong><\/span> :<\/p>\n<p><b><span style=\"color: #2f2925;\"><span style=\"color: #008000;\">le prix de litt\u00e9rature fran\u00e7aise<\/span> : <span style=\"color: #008000;\">N\u00e9gar Djavadi<\/span><\/span><\/b><span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> \u00a0 pour son premier roman <\/span><em>D\u00e9sorientale<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, publi\u00e9 dans la collection de poche \u00ab\u00a0Piccolo\u00a0\u00bb de son \u00e9diteur grand format Liana Levi.<\/span><\/p>\n<p><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"><strong>le prix de la \u00ab\u00a0litt\u00e9rature traduite<\/strong><\/span>\u00ab\u00a0: <\/span><span style=\"color: #008000;\"><strong>Santiago Gamboa<\/strong><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">\u00a0 <\/span><em>N\u00e9cropolis 1209<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, traduit de l&rsquo;espagnol (Colombie) par Fran\u00e7ois Gaudry\u00a0Paru en grand format chez M\u00e9taili\u00e9, il a \u00e9t\u00e9 publi\u00e9 \u00e0 petit prix dans la collection \u00ab\u00a0Suites\u00a0\u00bb du m\u00eame \u00e9diteur.<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Prix <\/span><em>Sud-Ouest<\/em><\/strong><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"><strong> \/Lire en poche du polar<\/strong><\/span> :\u00a0 <\/span><span style=\"color: #008000;\"><strong>Christophe Guillaumot <\/strong><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">pour <\/span><em>Abattez les grands arbres<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">, r\u00e9\u00e9dit\u00e9 chez Points, la filiale poche du Seuil.<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Relay des voyageurs 2018<\/strong>:\u00a0Michel Moutot, \u00a0\u00bb <em>S\u00e9quoias<\/em>\u00ab\u00a0<\/span> aux \u00e9ditions Seuil.<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du S\u00e9nat du livre d\u2019histoire 2018<\/strong><\/span>:\u00a0<span style=\"color: #008000;\"><i>Le Secret du prince<\/i><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\">, Jean-Baptiste Santamaria<\/span> (Champ Vallon)<\/span><br \/>\n<span style=\"color: #008000;\">les finalistes<\/span> :\u00a0&#8211;\u00a0\u00a0<em>G\u00e9n\u00e9raux, gangsters et<\/em>\u00a0<em>jihadistes<\/em>\u00a0<em>&#8211; Histoire de la contre-r\u00e9volution arabe<\/em>, Jean\u2011Pierre\u00a0Filiu (La D\u00e9couverte)\u00a0&#8211;\u00a0\u00a0<em>Montaigne<\/em>,<em> Arlette Jouanna (Gallimard) &#8211; <\/em><em>Le Secret du prince<\/em>, Jean-Baptiste Santamaria (Champ Vallon)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du livre Lorientales 2018<\/strong> :\u00a0<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> Yamen Manai<\/span> \u00ab\u00a0L&rsquo;amas ardent\u00a0\u00bb<\/span> , (Ed. Elyzad)<\/p>\n<p><span style=\"color: #008000;\"><strong>Grand Prix de la Biographie politique 2018<\/strong><\/span> :\u00a0<span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">St\u00e9phane Courtois pour <\/span><em>L\u00e9nine, l\u2019inventeur du totalitarisme<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Perrin) <\/span><\/p>\n<p><span style=\"color: #008000;\">finalistes<\/span>:\u00a0Jean-Louis Brunaux pour <em>Vercing\u00e9torix<\/em> (Gallimard) &#8211; St\u00e9phane Courtois pour <em>L\u00e9nine, l\u2019inventeur du totalitarisme<\/em> (Perrin) &#8211; Arlette Jouanna pour <em>Montaigne<\/em> (Gallimard)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix litt\u00e9raire du \u00ab Monde \u00bb 2018<\/strong> :\u00a0<em>J\u00e9r\u00f4me Ferrari \u00ab\u00a0\u00c0 son image\u00a0\u00bb<\/em> (Actes Sud)\u00a0<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Patrimoines\u00a02018<\/strong> :\u00a0David Diop pour \u00ab\u00a0Fr\u00e8re d&rsquo;\u00e2me\u00a0\u00bb<\/span> (Seuil)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix\u00a0Gulli\u00a02018<\/strong><\/span> (Jeunesse) :\u00a0<span style=\"color: #008000;\">V\u00e9ronique Petit \u00ab\u00a0Le mot d&rsquo;<wbr><\/wbr>Abel\u00a0\u00bb<\/span> (Rageot)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix de la langue fran\u00e7aise 2018\u00a0<\/strong><\/span>: <span style=\"color: #008000;\"><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Pierre Guyotat, <\/span><em>Idiotie<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Grasset)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Nobel de litt\u00e9rature 2018<\/strong><\/span>\u00a0 : non attribu\u00e9 en 2018<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Nicolas Bouvier 2018<\/strong> :\u00a0<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">Andrzej STASIUK, <\/span><i>L\u2019Est<\/i><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Actes Sud)<\/span><\/span><br \/>\n<span style=\"color: #008000;\">1\u00e8re s\u00e9lection<\/span> : G\u00e9rald ANDRIEU, <i>Le peuple de la fronti\u00e8re<\/i> (Editions du Cerf) &#8211; Pierre ASSOULINE, <i>Retour \u00e0 S\u00e9farad<\/i> (Gallimard) &#8211; R\u00e9mi BORDES, <i>Le chemin des humbles<\/i> (Plon) &#8211; Fran\u00e7ois BOTT, <i>Un hiver au V\u00e9sinet<\/i> (La Table Ronde) &#8211; Edouard CHOFFAT, <i>Le cam\u00e9l\u00e9on<\/i> (Soci\u00e9t\u00e9 jurassienne d\u2019\u00e9mulation) &#8211; Paolo COGNETTI, <i>Les huits montagnes<\/i> (Stock) &#8211; Cyrille COUTANSAIS, <i>Les Hommes et la mer<\/i> (CNRS \u00e9ditions) &#8211; Christian GARCIN, <i>Les Oiseaux morts de l\u2019Am\u00e9rique<\/i> (Actes Sud) &#8211; Laurent GIRAULT-CONTI, <i>Le carnet Viking. 70 jours en mer de Barents<\/i> (Payot) &#8211; Laurent et Corine M\u00c9RER, <i>Les jardins des explorateurs<\/i> (Erik Bonnier) &#8211; Christophe MIGEON, <i>Wilfred Thesiger. Gentleman barbare<\/i> (Editions Paulsen) &#8211; Eug\u00e8ne NICOLE, <i>Retour d\u2019Ulysse \u00e0 Saint-Pierre<\/i> (L\u2019Olivier) &#8211; Bruno PELLEGRINO, <i>L\u00e0-bas, ao\u00fbt est un mois d\u2019automne<\/i> (Zo\u00e9 \u00e9ditions) &#8211; Victor POUCHET, <i>Pourquoi les oiseaux meurent\u00a0?<\/i> (Finitude) &#8211; Jean ROLIN, <i>Le traquet Kurde<\/i> (P.O.L.) &#8211; Jean-Jacques SALGON, <i>Obock<\/i> (Verdier) &#8211; Andrzej STASIUK, <i>L\u2019Est<\/i> (Actes Sud) &#8211; Fr\u00e9d\u00e9ric VITOUX, <i>L\u2019Express de B\u00e9nar\u00e8s\u00a0: A la recherche d\u2019Henry J.-M.\u00a0Levet<\/i> (Fayard) &#8211; Alexandre VOISARD, <i>Notre-Dame des \u00e9gar\u00e9es<\/i> (Zo\u00e9 \u00e9ditions)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Myst\u00e8re de la critique 2018 \u2013 Fran\u00e7ais<\/strong>\u00a0:\u00a0<\/span><span><span style=\"color: #008000;\"><b><strong>Franz BARTELT\u00a0: <\/strong><\/b>\u201cL&rsquo;H\u00f4tel du Grand Cerf\u201d<\/span> (Coll.Cadre Noir, Ed.Seuil)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Myst\u00e8re de la critique 2018 \u2013\u00a0Etranger<\/strong>\u00a0:\u00a0<\/span><span><span style=\"color: #008000;\"><b><strong>Colin O&rsquo;SULLIVAN\u00a0: <\/strong><\/b>\u201cKillarney Blues\u201d<\/span>(Ed.Rivages)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Nice Baie des Anges 2018<\/strong>\u00a0:\u00a0<strong>Jean Siccardi<\/strong><\/span><span class=\"s1\"><span style=\"color: #008000;\"> <i><strong>\u00ab<\/strong>L\u2019auberge du gu\u00e9<strong>\u00bb<\/strong> <\/i><\/span>(Calmann-L\u00e9vy)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Fran\u00e7oise Sagan 2018\u00a0:\u00a0Violaine Huisman<\/strong> pour son livre \u00ab\u00a0Fugitive parce que reine\u00a0\u00bb<\/span> ( collection Blanche\/ Gallimard)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Senghor 2018 du 1<sup>er<\/sup> roman francophone et francophile :\u00a0 <span style=\"list-style: none; text-align: justify; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'GothaProBol'; font-size: 100%; font-style: normal; font-variant: normal; font-weight: bold; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\">Francis Tabouret,<\/span><\/strong> <em>Travers\u00e9e<\/em><\/span><span style=\"list-style: none; text-align: justify; color: #000000; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'GothaProBol'; font-size: 100%; font-style: normal; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\">, (\u00e9ditions POL)<\/span><\/p>\n<p><strong><span style=\"color: #008000;\">Prix Fran\u00e7ois Mauriac 2018<\/span><\/strong>: <span style=\"color: #008000;\"><strong>Jean-Louis Comolli\u00a0<\/strong><span style=\"list-style: none; text-align: justify; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'GothaProBol'; font-size: 100%; font-style: normal; font-variant: normal; font-weight: bold; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\"> \u00a0\u00bb <\/span><em>Une terrasse en Alg\u00e9rie<\/em><span style=\"list-style: none; text-align: justify; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'GothaProBol'; font-size: 100%; font-style: normal; font-variant: normal; font-weight: bold; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\">\u00a0\u00bb ( <\/span><span style=\"list-style: none; text-align: justify; color: #000000; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'GothaProBol'; font-size: 100%; font-style: normal; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\">\u00e9ditions Verdier<\/span><span style=\"list-style: none; text-align: justify; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'GothaProBol'; font-size: 100%; font-style: normal; font-variant: normal; font-weight: bold; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\">)<\/span><\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix \u00ab\u00a0une vie\u00a0\u00bb\u00a0Le Parisien Magazine 2018<\/strong>:\u00a0\u00a0\u00ab Concours pour le Paradis \u00bb, de <strong>Cl\u00e9lia Renucci<\/strong><\/span> (Albin Michel)<\/p>\n<p><strong><span style=\"color: #008000;\">Prix du Livre europ\u00e9en 2018\u00a0\u2013 cat\u00e9gorie fiction<\/span><\/strong> \u2013<\/p>\n<p><strong><span style=\"color: #008000;\">Prix du meilleur livre \u00e9tranger 2018 :\u00a0Stefano Massini\u00a0<\/span><\/strong> <span style=\"color: #008000;\">\u00ab <span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: #ffffff;\">Les fr\u00e8res Lehman<\/span> \u00bb\u00a0<\/span> , traduit par Nathalie Bauer ( \u00c9ditions du Globe)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du meilleur livre \u00e9tranger 2018 \u2013 essai :\u00a0Eduardo Halfon<\/strong><\/span> \u00ab\u00a0<span style=\"color: #008000;\">Deuils<\/span>\u00ab\u00a0, traduit de l\u2019espagnol par David Fauquemberg (La Table ronde)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Sang d&rsquo;encre 2018 :\u00a0Nicole Gonthier<\/strong> \u00ab\u00a0Peine capitale\u00a0\u00bb\u00a0<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Litt\u00e9raire 30 Millions d&rsquo;Amis 2018 :\u00a0Solange, dite Ina Mihalache<\/strong>\u00a0 \u00ab\u00a0Autoportrait en chienne \u00bb<\/span> (\u00e9ditions L&rsquo;Iconoclaste)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Polar Michel Lebrun 2018<\/strong><\/span>\u00a0(Anciennement Prix du roman policier francophone de la ville du Mans) : <span style=\"color: #008000;\"><strong>Christophe Guillaumot<\/strong> \u00ab\u00a0La chance du perdant\u00a0\u00bb<\/span>, (\u00e9ditions Liana Levi)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Ouest\u00a02018<\/strong><\/span> (cr\u00e9\u00e9 en 1992, il est d\u00e9cern\u00e9 \u00e0 un roman dont l\u2019action se d\u00e9roule dans le Grand Ouest (Pays de la Loire, Bretagne, Normandie, Poitou-Charentes) ou \u00e0 un roman \u00e9crit par un auteur originaire de ces r\u00e9gions.) :\u00a0<span style=\"color: #008000;\">\u00ab Isla Nova \u00bb de J\u00e9r\u00f4me Camut et Nathalie Hug<\/span> (Editions Fleuve Noir)<\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Festival Polar de Cognac roman fran\u00e7ais 2018\u00a0<\/strong><\/span>:\u00a0<span style=\"color: #008000;\">C\u00e9line Denjean<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> \u00ab\u00a0<\/span> <\/span><em><span style=\"color: #008000;\">Le cheptel\u00a0\u00bb<\/span>\u00a0<\/em><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Marabout)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Festival Polar de Cognac roman \u00e9tranger<\/strong> :\u00a0 Jane Harper<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> \u00ab\u00a0<\/span><em>Sauvage\u00a0\u00bb<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Calmann-L\u00e9vy, traduit par David Fauquemberg)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Festival Polar de Cognac roman jeunesse<\/strong> :\u00a0David Moitet<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> \u00ab\u00a0<\/span><em>Le dossier Handle<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"> \u00ab\u00a0<\/span> (Didier Jeunesse), <\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Festival Polar de Cognac bande dessin\u00e9e<\/strong> (s\u00e9rie)<\/span> :\u00a0<span style=\"color: #008000;\">Yann<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> et au dessinateur <\/span>Olivier Schwartz<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> pour <\/span><em>Les bijoux de la B\u00e9gum<\/em><span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">, premier tome de la s\u00e9rie <\/span><em>Atom agency<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Dupuis)<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix Festival Polar de Cognac bande dessin\u00e9e<\/strong><\/span> (unitaire) :\u00a0<span style=\"color: #008000;\">Beno\u00eet Vidal<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> et <\/span>Borris<span style=\"text-align: left; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\"> pour <\/span><em>Charogne<\/em><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #2f2925; font-family: 'Droid Serif',Georgia,Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"> (Gl\u00e9nat).<\/span><\/p>\n<p><span style=\"color: #008000;\"><strong>Prix du premier roman jeunesse Gallimard-RTL-T\u00e9l\u00e9rama<\/strong><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\"><span style=\"color: #008000;\"> : Norman n\u2019a pas de super-pouvoir<b>, de\u00a0<\/b><\/span><strong><i><span style=\"color: #008000;\"> Kamel Benaouda<\/span><\/i><\/strong><\/span><strong><span style=\"text-align: left; color: #333333; text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: 'Roboto',Arial,Helvetica,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; text-decoration: none; word-spacing: 0px; display: inline !important; white-space: normal; cursor: text; orphans: 2; float: none; -webkit-text-stroke-width: 0px; background-color: transparent;\">\u00a0<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #008000;\">Pour en savoir plus<\/span> :<\/strong> \u00a0\u00a0 <a href=\"https:\/\/www.actualitte.com\/article\/culture-arts-lettres\/liste-des-prix-litteraires-francais-et-francophones\/65269\">Actua Litt\u00e9<\/a>\u00a0 &#8211; <a href=\"http:\/\/www.livreshebdo.fr\/prix-litteraires\">LivresHebdo<\/a> &#8211;\u00a0<a href=\"http:\/\/www.lalettredulibraire.com\/?category\/Palmar\u00e8s-litt\u00e9raires\">Palmar\u00e8s complets<\/a>\u00a0 (La lettre du libraire)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prix Nadal\u00a02018 :\u00a0 Alejandro Palomas &lsquo;Un amor&rsquo;, (\u00faltima obra) Le Prix suisse du livre 2018 :\u00a0L&rsquo;auteur al\u00e9manique Peter Stamm\u00a0 pour son roman \u00ab\u00a0Die sanfte Gleichg\u00fcltigkeit der Welt\u00a0\u00bb (\u00ab\u00a0La douce indiff\u00e9rence du monde\u00a0\u00bb). Prix litt\u00e9raire RTL-Lire 2018 : Isabelle Carr\u00e9 \u00ab\u00a0Les r\u00eaveurs\u00a0\u00bb (Grasset) &#8211; 1er roman Prix Montaigne de Bordeaux 2018\u00a0: Philippe Sands pour Retour \u00e0 &hellip; <\/p>\n<p class=\"read-more\"><a class=\"readmore-btn\" href=\"https:\/\/www.cathjack.ch\/wordpress\/?p=5807\">+<span class=\"screen-reader-text\">  Read More<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":5808,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[520,1],"tags":[97],"class_list":["post-5807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-520","category-non-classe","tag-prix"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/5807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5807"}],"version-history":[{"count":54,"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/5807\/revisions"}],"predecessor-version":[{"id":7573,"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/5807\/revisions\/7573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=\/wp\/v2\/media\/5808"}],"wp:attachment":[{"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cathjack.ch\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}